THE ENGINEERÕS WIFE
A Story of Erotic Madness
PART I. PRELUDE
In the summer of 1976, I met
and fell madly in love with – I emphasize the word madly -- a married woman in Laramie, Wyoming. The woman in question had been married
two weeks when I first met her.
This romance lasted about
one year, and then stretched on, at a distance, stretched on in my mind and my
heart at least, for about another year.
(It actually stretched on longer than that – in fact this love is
still alive inside me, still stretching on in some turbulent, haunting way, as
I begin writing this most recent account in the autumn of 2010.)
In the summer of 1977, I
left Laramie, moved to Eugene, Oregon, with the expectation that this young
married woman, the engineerÕs wife, would leave her husband and follow me. Our love had been so passionate, so
pure, and so beatific, that I failed to understand how she (how any woman for
that matter) could turn her back on such rare beauty, such rare and deep truth
– clearly, in my mind, this love was
divine beauty -- out of any sense of duty, or obedience to convention, or even
love for or comfort with her husband, the engineer,
discovered or re-discovered somehow in or through my absence.
During our love affair she, Leslie
Harmon, was receiving very little comfort – and a great deal of
discomfort, in fact – from her husband, the engineer.
Clearly I did not wish to admit to
myself that my own love for Leslie Harmon was stronger, more vital, and more
dangerously consuming than was her own love for myself. I did not wish to admit to myself that
she could live without my love, as I was finding it very difficult –
seemingly impossible -- to live without her love.
It was devastating to me, at
the time, to have to realize that love was a secondary virtue, a secondary
virtue to Duty, or Honor, or the Promise taken as Oath, that Love would not conquer all, and that the pure
heart, fueled by romantic will and a passionate will to self-sacrifice, was not
always allowed to fulfill its ambitions.
This novel is the story of that failed
love.
LOVE AND DESTINY; SETTING
THE CONTEXT
I. WHAT IS LOVE? WHO AM I; WHERE AM I?
What is
Love, if not a divine madness?
When I speak of Love this way I do not
confuse it with the more conventional marital love, which is a kind of pale
courtly contract in contrast, usually dredged up from some bout of fear of or a
real condition of loneliness, or as the residue of a more energetic love that
has led to nothing, generating fatigue or a sense of LoveÕs illusion, the
conventional marital love being an escape from such madness, a dry island in an
animated sea, a solid place to stand upon around which nothing else seems so
steady or so secure, so un-blindingly real or un-erotically clean. Marital love is a kind of covenant (this
word has powerful literal and metaphorical implications) between brothers and
sisters, between friends, a trust conceived for the pro-generation of offspring
in a sane, quiet, efficient calling, conducive to rest, to steady growth, and
to development of the family plant reaching for some magnificent fruiting in a
sunny environment with little shade and much positive promise of Future
contentment and maximum eradication of its opposite, that terrible passion
which generates pain and confusion only.
That is the blueprint of marital love, at least. That is how it appears on its surface in
all the magazines talking about the girlÕs best dream to have her own secure
place stretching into eternal blessings, congestions being few, counseling her
against too much imagination and the virtue of expecting little from life,
expecting little more than her mother was given, in fact.
Marital love is a business
arrangement, sometimes conceived in passion, often conceived in utter soberness
and practical ingenuity. Marital
love is the opposite of passion, in fact.
That is the source of its attractive powers. Marital love promises peace, prestige,
prosperity, and quiet deterioration into a rather hopeless condition of
inevitable decay in TimeÕs suddenly surly garden.
Erotic love is not like
this. Erotic love is a passionate
psalmody, a flight at the sun, a descent into hell, into the bloody conclaves
of demonic possession and a ritualistic ecstasy of self-annihilation through
the immanence of another. Erotic love invokes a fusing of opposite souls in a violent act of depth penetration, of
votive incandescence, and results quite often in personality disintegration,
which the Soul can, but always does not, survive.
Marital love is the ultimate
rational contract. Erotic love is
the ultimate irrational challenge to oneÕs own destiny, the drinking of the cup
of pleasure-poison, to the dregs, with no underlying scheme attached but the
full enjoyment of the pleasure and pain inherent in the experience itself. Erotic love leads no
where, but is something, is the path, even if not always the
treasury, the gem, expected to be found at the end of the path.
Marital love ends in a courtroom, most
likely, or standing at the side of a coffin. Erotic love ends, it seems, with a
requisite inevitability with one or both parties standing, singly, or
side-by-side, at the edge of some clarifying black abyss.
Dante understood this. Marsilio Ficino understood this.
Thomas Moore, in his analysis of FicinoÕs ideas, through Plato, The Planets Within, writes: ÔAnyone who has loved knows that it is
a madness, a mania, whose meaning is elusive, its rules confounding, its goals
and outcomes a riddle, and its attractiveness overwhelmingÉ Love may be
painfully exhilarating and disastrously pleasant, but, above all, it is
necessary for Soul – like religion and poetry: it has psychological
significance.Õ
Ficino wrote: ÔLove has the enjoyment
of beauty as its goal.Õ
The
enjoyment of beauty. Yes. Necessary for Soul. Yes. That is the unstated goal, the
automatic result, and the manifest essence of erotic love, if one survives it,
a love that simply is, that asks for
nothing, that demands nothing, that endures until it no longer can endure,
always refreshing the souls involved, always
providing water for the thirsty, always creating
a dream for the arid and the empty, those whose imagery has become exhausted, but
also engendering a series of dangerous whirlpool sensations, pleasures and
animations which some souls have trouble enduring and even surviving. Memories become tantalizing ghosts
capable of haunting one rigorously and righteously unto the grave.
Enjoyment of beauty first; then, often, non-enjoyment of the painful, even the
grotesque, animation triggered by the sudden absence of said beauty.
In 1976, I was a man whose
imagery was exhausted. I was
arid. I had just finished my first
novel, A Silent Dell, which is the
story of a young man living in southern Wyoming whose imagery, values and sense
of lifeÕs meaning was exhausted and who was attempting to survive a case of
escalating alienation from too much mundane American reality. His wife was 8 ½ months
pregnant. The world was closing in.
I was attempting to publish this
novel, sending it through the mail to New York City publishers. I sent the manuscript, first, to Alfred
A. Knopf, legendary publishers of Ôreal literatureÕ in America. ÔReal LiteratureÕ is the highest, most
ambitious writing. ÔFictionÕ by
contrast, is fast food for the masses of reading public. My manuscript was
rejected by Alfred A. Knopf.
I received a rejection note that read: ÒWe regret not being able to
publish your manuscript. We did
hold a conference and considered publishing this book. However, we think it does not quite fit
what we are looking for at the moment.
We wish you success with other attempts at publishing this manuscriptÉÕ
In the nomenclature of publishing rejections,
this was a very high rejection, one that I should consider supportive and
positive, which I did.
I thought: ÒThis publishing game is
going to be easy.Ó
I quickly sent the manuscript out a
second time.
It was not easy, however.
I had begun writing A Silent Dell in 1974 during my senior
year in college at the University of Wyoming. I used Robert RoripaughÕs
Advanced Creative Writing Class in the Spring Semester as an excuse to begin
developing the ideas for this novel – then, after graduation, I settled
in to a pattern that was conducive to my writing, continuing to work part-time
at the UniversityÕs Coe Library, working nights, making enough money to pay
rent and buy food so I could focus on my calling.
By the winter of 1975 I had completed the
novel. I began to send it to
publishers.
I had other ideas on which I
was working. I had become
pathologically attached to the work of James Joyce in my last two years of
schooling – Joyce, Thomas Mann, Marcel Proust, William Faulkner, T.S.
Eliot, Rainer Marie Rilke: the 1930Õs had been the apex of literature in the
Western World. I began to study
American history with an eye on creating a Finnegans Wake made from the material of my own culture and my own national
and personal history. I was reading PilgrimÕs
Progress and Thus Spoke Zarathustra,
imaging a fusion of the two in some strange concoction that was both philosophy
and religion, a strange mixture of the two supposed oppositions.
I was also reading a strange,
difficult doctrine on the organic nature of history, Decline of the West, written by Oswald Spengler, a German
philosopher who appeared in the 1920Õs with a work that was profoundly
pessimistic to a European world sinking deeper into the economic chaos of that
era. The West would die, the writer
exclaimed, as a flower dies, as a man dies. Cultures live out an organic life-cycle and then vanish – that is, the spirit
vanishes; the body of the culture remains behind.
I worked every day at my
typewriter; discipline was, itself, the mother of creation. But it was hard to deny the feeling of
exhilaration I experienced, having achieved my goal of completing a novel
– my mind, straight-jacketed for nearly two years in a frenzied, furious
task, was now a bit slack with freedom.
My mind was suddenly like a rubber-band that
had lost some of its shape and elasticity.
What next? This question did
not seem so important to me at the moment.
It was enough just to be alive, just to be alive and again curious about
the beautiful world in which I found myself again, a world that I had forgotten
for so long as I buried myself in the coffin on my own verbal constructions,
oblivious to everything else, oblivious to the beautiful world around me,
waking up, Spring 1976..
I hesitate in saying too
much about myself here. It can be a
dangerous landscape for a writer in presenting a context since, and this is
especially true for myself, the context has a lure, a gravity, of its own, and
can generate an impulse to expand beyond the control of the writer, to become
the story itself instead of merely the setting of the story.
Focusing on the implicit is not always
easy for me. Focusing on a single
strand of the web and eliminating from view strands which can wisely amplify
the strand upon which one is standing: this seems to violate the laws of
symphonic understanding wherein themes weave and unweave, animate, mute,
elaborate, move together as a single gigantic whole toward an understanding
that is both prescient and satisfying on microcosmic and macrocosmic levels,
the contextual feeding the central image, and the center-piece, in turn,
feeding back into the amplifying and amplified background context.
I was born to a small family
in southern Wyoming, in the refinery town of Sinclair – the town being a
Ôcompany townÕ, owned by and maintained by the Sinclair Oil Company. All the residents of the town worked at
the Sinclair Oil Refinery. All the
houses in town, originally built by workers at the oil refinery – all
original workers lived in a tent-city while they worked daily in the oil
refinery and built the townÕs houses, one-by-one, eventually building and
occupying their own home -- were owned by the Company and leased to the
workers. There was even a company store,
managed by Ray Rasmussen, a thickly-muscled unimaginative man, who barked at
children who entered his store and sought to sweet-talk women with children in
strollers who appeared unaccompanied by their husbands. The grocery story was
subsidized by the company to compete with the larger grocery stores in Rawlins,
six miles to the west, for the workersÕ convenience.
There was a hotel, a movie theatre, a
coffee shop, a bar, a bowling alley, even a credit
union – all managed and operated through the company to provide services
and entertainment for the residents of Sinclair.
Sinclair – originally named
Grenville, after General Grenville Dodge, legendary Indian-Fighter, and then
Parco, Producers and Refiners Oil Company -- had been conceived, as a
self-contained, self-sufficient modern American town, on the drafting boards of
Denver architects, Fisher and Fisher, at the direction of Frank Kistler, owner/CEO OF PARCO Oil Company. Sinclair/Parco had been called by the
local newspaper ÒFrank KistlerÕs DreamÓ and was
called in the official History of Wyoming
written by T.E. Lawson Òthe wonder town of WyomingÓ.
My sister, Laura, was born
October 26, 1948. My brother,
William, was born October 26, 1949.
I was supposed to be born – this was ÔguaranteedÕ by Doctor Baker,
a small intense man who would become professionally cranky when I finally got
to know him, like a priest from the old school, made inherently brittle by his
allegiance to his old world concept of a doctorÕs proper integrity – on
October 26, 1950. But I waited. In fact, I was an eleven-month baby, a
ÔfactÕ that I would later work its way into my own mystical biography, my own
encapsulation of divine identity and beativity. I was born December 17, 1950, almost two
months late.
I was the end of my parentsÕ family-making.
There were ÔcomplicationsÕ from my birth – seemingly eleventh
months of gestation damaged my motherÕs womb terminally – my mother had
an emergency hysterectomy after she dropped me into the cold winter light of
Wyoming smack-dab in the middle of mid-century, during mid-Winter.
I remember almost nothing
about my early life.
My family was Catholic. My mother, Mary Ellen Clause -- (Clause
- Lola) -- came from a long line of Irish, Czech and German Catholics on her
fatherÕs side and first-generation Czechs on her motherÕs side. My father, John Henry Clark --
(Clark-Peterson) -- came from a more solitary line of iconoclasts: Welsh,
English, French, Scottish; my fatherÕs father, James Abraham Clark, was an
itinerant tin-smith with a love of spirits; my fatherÕs mother, Lily Peterson,
was a temperance unionist, campaigning against drink, apparently against my
grandfather. She died in her
mid-twenties. My grandfather never
re-married.
My father had no religion until he
married my mother. He was forced to convert in order to marry my
mother, a Catholic. He followed the
tradition – and, in the end, became a Catholic himself, although less
strident in his declarations of ecclesiastical loyalty than was my mother.
All three children attended St.
JosephÕs Catholic School in nearby Rawlins.
Sinclair had some Catholic
families. But we were Ôin the
minorityÕ, to be sure. We rode the
St. Joseph school bus each day (holding no more than 28 students) 6 miles to
Rawlins to pursue our education. We
were better educated, especially where Ôthe wordÕ was concerned (spelling
champions always came from St. JosephÕs), not always so in science and math;
and clearly more personally disciplined than were the public school students in
Rawlins and Sinclair.
As much as we loved Sinclair –
Sinclair was an idyllic hamlet, the Heaven Pole to RawlinsÕ Hell Pole -- we
were always ÔoutsidersÕ in terms of religion. I remember my friend, Jack Argyle,
telling me in 1960 that his dad and mom were Ôvoting for NixonÕ – and he
was too -- because they would never vote for a Catholic like Kennedy. This declaration was like a jolt of
lightning. Jack and I were friends;
we played baseball and basketball together; yet he and his family didnÕt trust
Catholics. My father was the coach
of our baseball team; and Jack loved my father. But his family would never trust
Catholics. Ever.
Catholics were different. One can never underestimate the profound
impact of a traditional Catholic education on the development of the religious
nature (which is more than a moral framework, embedding, as it did, in the
character a sense of awe, and a fear of God that never really abandons the
individual if he is inclined to take the hook into the deep layers of his
being), since it introduces techniques, ideologies and processes which, by
their very nature, stimulate awareness of the Soul, and, of course, graphic
powerful fears of Eternal Damnation.
To the Protestants (under this title I clump many sects and movements
which got their identity, at some point in time, from opposition to Roman
Catholicism, protesters against the Pope, essentially) – the very essence
of what I call Mundane Realism – the Soul was not a proven reality, but a kind of contagion from an earlier
ignorant era that needed to be suppressed, even defeated, as the Daylight
attempts to defeat the Night, for the sake of clear living and clean procession
through an uncertain landscape leading ultimately to physical dismemberment.
The dark mystery of the Soul (a very Catholic expression) was the very
thing from which the Protestants wanted to be freed. The dark mystery of the Soul, its
symbolisms and rituals – the shadow world often mistook for Evil itself
– was dubious to the Protestants – whereby it was essential to the
Catholic. The Darkness – the
passing into the Valley of the Shadow of Death – was crucial to Soul
awareness, because the Soul was born in Darkness as a response to the reduction
of life to its barest most naked essentials, life, death, morality, and
potential for rebirth or resurrection.
Protestants seemed more comfortable
with Sunlight, wealth, order, a kind of arid Noon-day
whiteness, which the Catholic (and, even more so, the Jew) threatened, with
their dark symbolism. The
Protestants were the Day Angels, having exiled the Catholics into the lower
order of the cosmos, closer to Earth, and to the EarthÕs shadow, Nighttime.
Catholics were taught to believe in
miracles, in angels and demons, in spiritual warfare, in martyrdom and in
saints, in hell and heaven, in exorcism.
Our church was imbued with mystery, shadows, stone sculptures larger
than life and brimming with exotic, inconceivable powers. Entering the Catholic Church, the dark
cave, the motherÕs womb, produced in me a sense of ecstatic gravity. Protestant churches seemed more like
schoolhouses, with windows thrown open, shades pulled back, an utter equality
expressed through the white-wood bench-like pews. Pews in St. JosephÕs were black, or at
least a dark-wood stained deeply, perhaps mahogany. Light entered in magical quanta through
stained-glass heroisms depicting the timeless struggle of the Saints and Angels
(manifestations of the Soul) in a world that was corrupt by nature, dangerous
to virtue, contaminated by the desire for too much comfort, too much wealth and
too much power – the very things the Protestant powers, in America at
least, seemed to patronize and pursue as embodiments of some celestial
virtue. Elaborate garments were
worn by Catholic priests in magical rituals of Holy Mass wherein wine
represented blood and Jesus was portrayed as a meal in the form of a moon-like
host for the congregation through which Jesus could save worthy and repentant
sinners from eternal annihilation.
Nuns dressed in the Night color of black. Candle lights flickered and illuminated
paintings on the walls, carvings of ChristÕs stations of the cross, and an
altar that was off-limits to ordinary members of the congregation, a place
where God lived, in a dark sacristy in the back part of the altar. On the arched vault above the altar, a
grand painting of Christ dying on the cross dominated the sky of our dark
church, blood dripping from wounds on feet, hands, right side, and under his
crown of thorns.
Of course, in 1960, I did not see the
world this way. I saw the fierce
antipathy with which my friend, Jack Argyle -- his family, too, apparently
– there were other friends my age who declared similar loyalties –
regarded John Kennedy, and apparently Catholics in general. When John Kennedy was assassinated in
1963, St. JosephÕs School fell into a deep tragic trance of mourning, my family
as well; but there were those in Sinclair my age who gloated, smiled, and
suggested America had been saved from the dark Catholic influence: at least,
thatÕs what their parents had told them.
Another way of viewing this political
dilemma, of course, was that the families of my friends who abhorred the
thought of a Catholic sitting in power in the White House did not abhor the
idea of Richard M. Nixon, a small-time used car-salesman-type elevated through
personal ambition and ÔtricksÕ, through crude manipulation of national
bigotries and through political intrigues – a low man, a Protestant
non-idealist, pragmatist, on the side of the nationÕs white, rich and
ÔtraditionalÕ -- from sitting in power in the White House.
The Kennedy family was not perfect
– and John Kennedy was not perfect.
But in order for one to choose Richard Nixon over John Kennedy as
president, one must be blinded by hatred, confused or consumed by unfathomable
ideologies of race, of class, of religion, of an unaesthetic breeding, or be
simply cursed with incredibly weak powers of discernment. Never underestimate the power of bad
taste. One man was a prince; the
other was a troll, a body-bound devilish masculate
ogre from some grim fairy tale, whose candidacy seemed a joke perpetrated for
some past national sins by wood demons irritated with American hubris.
For these families of my friends to
befriend the troll and to gloat at the murder of the prince told me something
about the inherent future tragedies that were waiting for America in historyÕs
blind road – and also suggested something about the very structure of
reality, through duality, polarization, body and spirit, man and woman, love,
too, in a most oblique and pointed cadenza scaled to describe the day and the
night as periods of vision followed by periods of essential and the most common
blindness.
As I have suggested,
Sinclair was a kind of oasis – except for the latent religious
bigotry. There was no crime. There was no violence. Residents knew every other person in
town – there were no strangers.
There was no unemployment.
What drunkenness there was was almost always
kept behind closed doors, at WhiteyÕs Tavern or, perhaps, at the occasional
town picnic when this one or that one took on too much good cheer and made a
fool of himself in a good-natured exhibition of human weakness, usually around
the merry-go-round, often when a pretty girl made an appearance and triggered
the catastrophe of unremunerated fool-hardy admiration.
Of course I viewed the life of the
town of Sinclair through the eyes of a shy boy, not especially sophisticated,
not especially perceptive, who desired anonymity most of all, hoping to remain
formless dark energy, simple background static, for as long a time would allow.
We had no racial minorities in
Sinclair. We did have class
distinctions. The houses in
Sinclair described quintessentially the social and economic structure of the
town. Common laborers lived in
stucco houses, smaller and more modest, usually pink or green, sometimes blue. Lower management lived in wooden houses,
always painted white. High
management lived in brick houses, more elaborate and larger structures. The brick houses were situated away from
the refinery, on the west end of the town.
My father was a middle management
worker at the refinery. When I was
born we were lower management, living in a wooden house not far from the town
Post Office. We soon moved to North
Ninth Street, at the very western edge of town, facing the Sinclair Grade
School and beyond it Rattlesnake Butte, a hill structure surrounding and
projected above the town, standing sentry between Sinclair and Rawlins, the
larger town six miles away.
When I was about six years
old we moved into a brick house on Eighth Street, 311 North 8th Street,
as my father received a promotion that made him the Chief Clerk of the Payroll
Office. We were overjoyed to move
in to the larger, more prestigious brick house two houses away. Dean Eaton had retired. We were given the house the Eaton family
had vacated.
Two houses from us lived one
of my fatherÕs assistants, Bob Woodhouse, who lived, I guess inappropriately,
considering his name, in one of SinclairÕs brick houses also. The Manager of the Sinclair Refinery
lived in the largest brick house in town, on Seventh Street, a block and a half
from our own house: his name, and this is true, was E. H. ÒBrickÓ Hausner.
We talked in a whisper when
we passed by Brick HausnerÕs brick house. He was a kind of pope apparently: The
Pope of Sinclair. He could fire
oneÕs father and ruin oneÕs family if he wished to – he had the power to
do this, although probably not the inclination, as he was well-regarded
generally. He could smile as well,
and gift oneÕs family houses, wealth, company cars (we
had a black Ford at the time; later would come an olive green Corvair, in which the whole family took great
delight). Passing Brick HausnerÕs brick house, we would lower our voices, make a
kind of nodding non-verbal genuflection, thanking him for our familyÕs good
fortune, trying not to wake him or to disturb him in any way, lest our
carelessness afflict our family in some hostile manner, invoking the wrath of
the apparently querulous Refinery God.
A child becomes aware of
context, of scale, slowly, as this understanding emerges bit by bit, like a
flower unfolding.
I was alone, at first, utterly alone,
in a very dark wet place. I could
hear ocean waves lapping about me.
And I was aware of a light outside of me, something very much like a
Moon, which turned out to be my first world, my mother. Then I was born into a family and we
lived in a house – and this was my expanded context. This house, this family, was everything.
But then the door of the house opened,
cold air and light rushing in. A
door. A door. My motherÕs womb was a door also. I stepped out into a larger world.
My block became my context. I could not cross the street. ÒDonÕt cross the street!Ó my mother
warned me. I walked around the
block. Around and
around the block.
But then I crossed the street. The neighborhood became my next
context. Then the
town itself.
Sinclair was a kind of atom in which
activities occurred, a myriad of activities, through the mechanisms and good
graces of many people of all ages, a carnival nature, perplexing in its scale
and complexity. But not for ever perplexing.
Sinclair was an atomic world, a closed
context – but it was not alone.
There was a door leading out of Sinclair also, a road, a road being a
kind of umbilicus leading to something else, an even larger understanding of
the world, another atom, free-existing but somehow connected to the past. Rawlins was out there somewhere, a
darker town, a more visceral place apparently
somewhere to the west.
Our conception of the world apparently
just got larger and larger, as our experiences generated a shifting and
expanding sense of direction and scale, the gradual opening of the lily as the
Sunlight and Warmth just increased and grew more powerful and pleasant
apparently. Did this expansion of
vision ever end? If it expanded,
must not it also, at some time and place, also contract?
If I had been able to read a
map at that early age, I would have understood one aspect of the context of my
life, perhaps, in a better way – if the map even bothered to include
Sinclair in its registered glossary.
ÒMom, where is Sinclair on
this map?Ó
ÒThey didnÕt bother to put Sinclair on
the map, dear,Ó she would say.
ÒBut, see Rawlins. WeÕre
just a little to the right of Rawlins, between Rawlins and Laramie. See in Carbon County.Ó
Ok. I see. ThatÕs enough for me, I guess.
I would later learn that
Carbon County was a mystical description: that carbon was black, as it was
manifest in coal, charcoal and graphite, but white on the inside, as its hidden
gem, the diamond, was as clear as pure mountain water. The Soul was the diamond hidden inside
the body. The Lily was the white
flower hidden inside the Night. The
Black Earth ws the story of Germination and the White
Seed was the Life of the Light hidden inside of the Black Earth at Night,
waiting for the time to come when it could expose itself to the Light of the
Sun.
As I sat on the front porch
of our wooden house on Ninth Street, and looked out toward Rattlesnake Butte, I
had no real sense of the profound isolation I should be feeling, a human weed
growing up in a very arid landscape at high elevations, a town surrounded by
dry, dusty space, and not much of anything else. That was my first context, the
archetypal and primordial world I appeared in and became part of.
Our town was circumscribed by hostile
space. I remember hearing from an
early age: ÒDonÕt leave the town; donÕt go out walking in the prairie. There are rattlesnakes out there,
wherever you go. And
quicksand. If you leave the town
walking by yourself there is a very good chance you will never come home.Ó
Apparently, our town, our atom, our
civilization was safe; but Nature was not safe. Nature was a vast expanse of hostile
expressions, lurking adversaries, and primitive beasts eager to turn oneÕs
light out.
If I had been able to view Sinclair
from the air, to see how lonely our little island really was, our island of
civilization set in a sea of dust, of rattlesnake dens, coyote enclaves,
quicksand sloughs, tarantulas, Indian ghosts, blinding windstorms, sneaky
Winter blizzards, no end of anti-human manifestations, No water. Almost no vegetation. I probably would have felt very lonely
in the world viewing Sinclair as the gods must have viewed it. Good thing I could not see Sinclair from
the sky. Good thing I did not have
wings yet, or still. Good thing I
was not an angel; I was not an angel yet, anyway. But we will talk about that more as we
proceed.
II. IN THE FATHERÕS HOUSE
THERE ARE MANY ROOMS (MANY PLACES TO HIDE)
My first impression of my
father was through his absence. I
had been swimming inside my mother for eleven months; and then, when the magic
door opened, and mutable light came flooding into the room I was suddenly
abandoning, I do not remember seeing my father. My imagination tells me there was a
room; there was white light; the room was cold. Strange upright figures dressed in white
with no faces were talking to my mother and there was a sense of urgency, even
panic – a dam was breaking and I was being hauled on shore like a magic
fish, a magic flounder, being hauled to shore amid celebration and thanks to
God.
My imagination tells me this. My memory has a huge blank centered on
this early part of life.
I cannot say I smelled my mother when
I was swimming in the Black Sea that turned out to be her stomach. Did I smell anything then? I was a speck of metallic sperm fastened
ferociously to a beautiful egg which would become its
home. The yoke of the egg was a
sun, around which specks of matter circled like a small solar system. I was there too, fastened but floating,
anchoring myself in a substance that now reminds my imagination of an earth
substance, soil, loam, uncolored because the light was so dim then. Germination requires
the black night, otherwise the seed spoils. I was the seed, a baby comet floating in
space, captured by a sticky substance that, in fact, was my mother.
Do I remember my father and motherÕs love-making that night, January 1950?
Buddhists claim that all reincarnating
souls choose their own parents, essentially jumping into the motherÕs womb as
the frenzy of the hunt reaches its culmination. This is the merry magic of a SoulÕs
reincarnation. Of course, spiritual
writing is metaphorical by design and by necessity – and a literal
reading of such writing often leads to fanatical violence, sin and madness,
perhaps in that order, perhaps in some other order.
I have no memory of my parentÕs love-making on the night in question. I do remember seeing my motherÕs vagina
the first time when I was a teenager on an unfriendly, dark night that I will
consider later in this novel as a kind of archetypal blemishing of youth.
Nothing, for a man, is so mysterious
and so magical as the girlÕs or the womanÕs vagina, which is both something and
nothing at the same time, both full and empty, both
hidden and manifest, angelic and demonic.
The image of this enigmatic organ drives evolution, drives time, drives the human quest for godhood. It is the treasure, is it not, the
promise and the curse? It is the
biblical Promised Land. The
covenant with God and the Chosen People is, in fact, the promise of a wife, a
vagina, an ark in which the fruit of life, the Future,
can be stored – the fruit of Life being, of course, children.
The covenant was a promise of
marriage, the promise of a wife, and the promise of real estate, on which a man
might build his life from seed.
I believe I was not aware of
such electrical necessities of sex and love until much later in life –
but I believe love (and erotic love, and sex urgencies) are present all
throughout oneÕs life. Babies and
children fall in love; and so do grandparents. This is a hopeful thing to me, since the
worst part of life is the part that includes no love, that
includes exile from love. Love
seems to be a periodical manifestation: present for a time; then gone; then
returning, a kind of rainbow that appears at the end of a storm or a personal
catastrophe, a phase of horror.
Love is the hope we all carry in our Souls.
When Love is present, we tend to lose
track of it.
When Love is gone, we perform great
tricks of heroism trying to get it back.
My father lived somewhere
else, journey somewhere else, during the daylight; that is, my father was gone
most of the time.
My father lived in the sky, traveled
into the sky to work, when the rest of the family went about circular rituals
in the house or in school or on the front lawn or in the back yard. We mentioned his name, and wondered about
his nature when he was gone; we wondered if he missed us. Mom would say: ÒYour father is at
work.Ó Your father is absent. Your father is making money so we can
live our life in relative comfort.
I do remember scents. I remember my motherÕs scent, which was
sweet and warm, like the milk from her breast. I think my mother had trouble nursing
her children. That is my memory of
it. I remember milk in a plastic
bottle, a cold rubber nipple attached to nothing. Again, that is perhaps just my
imagination. I see the plastic milk
bottle in a pan of water boiling on the stove. Memories are not always accurate
however. We tend to build our
memories in the direction we need them built, to give ourselves illusions about
ourselves and our lives, to calm us, or to excite us – or, if we tend to
be melancholic beings, to provide us with continuing sorrow, self-doubt, and
unnecessary draughts of longing.
Unnecessary draughts? Perhaps they are necessary after
all. When we are arid, we need
nectar to refresh us; shade to protect us from fiery
indictments of patriarchal law.
When we are drowning in emotional excess, we need dry land to rise up
out of the ocean – and we need to become, each of us, amphibians,
escaping the shadowing fluid matriarchal emotional vortex.
We move between two poles, between
mother and father, between water and fire, between Love
and Will, between Night and Day, each opposite element refreshing us just when
we are nearly saturated by the extremism of grainy polarized light.
My mother smelled like love,
a bit of earth-smell, lotion, floral-smelling, perfume and shampoo. Cream. A sweet smell of sweat
and powder. And sometimes
cinnamon, when she had been baking.
When I held her, I remember sinking in to her being. She was soft. I crumbled into her in pieces,
coalescing pieces.
My father was not as soft as my
mother; and he was a bit colder, rougher, more angular, a
bit more distant.
When he came home from work every
afternoon, we all ran outside, or to the door if it was cold or snowing, and
cheered his return. He drove a black
car; sometimes, in summer, when we were playing outside, we could see the car
approaching from several blocks away, appearing under a cortege of shimmering
cottonwood trees that lined the street in seeming honor of my fatherÕs
approach.
My father worked at the Sinclair
Refinery. We could all smell the
Sinclair Refinery; we knew where it was; we could ride bicycles around the
outside of the refinery, along the metal security fence, see inside the fence
the storage tanks and the roads leading in to the heart of the refinery.
Our friends in Rawlins (I use the word
ÔfriendsÕ loosely at this point) used to call our town ÔStink ClairÕ –
when a strong wind reversed, gases and obnoxious permutations of air could be
smelled miles away. Sometimes we
would grab our noses, and exclaim our disgust with the smell. My mom would say: ÒIt smells like money
to me – it smells like your fatherÕs salaryÓ, defending our fatherÕs
profession against the cloying cynicism of outsiders.
My dad was a gentle
man. Strange men and women (women
and men I did not know, some strange, some not) often came up to me and exclaimed Òyour dad is such a gentlemanÓ. My dad was admired in our town for his
gentle nature. My father was
left-handed.
My father was born in
Manistee, Michigan on March 10, 1912 or 1913. There was always some disagreement as to
the exact year – some records had been lost. He was born John Oliver Clark – I
think. He did not like the name
Oliver – he had the name legally changed to John Henry Clark, but
everyone knew him as Jake.
I never met my fatherÕs mother or
father. My
maternal grandmother, Lily Palmer, died when my father was seven years old. My father made it sound like
tuberculosis when he told the story, although he rarely talked about it. My father did not need to talk to be
content.
My father had two older brothers, Don
and Bill. Uncle Don would become,
eventually, a park ranger, living in Denver, Colorado. Uncle Bill was a hard-drinking journalist,
living in Butte, Montana. Uncle
Bill told us the story of how he, Uncle Bill, created the nickname ÔEvilÕ Knevil, the famous motorcycle daredevil. To hear Uncle Bill tell the story, Knevil was a tough teenager in Butte, running around with a
friend named Knaufel. Both were always in trouble with the police. Uncle Bill nicknamed the pair: ÔEvilÕ Knevil and ÔAwfulÕ Knaufel. He told us this story one morning at
about seven am, having had several ÔSeagramÕs sandwichesÕ in order to start the
day on his right foot.
The Clark family apparently liked to
drink. Don was a quiet drinker;
Bill was a boisterous drinker; my dad drank also, coming home from work and
having a highball and a can of Coors beer nearly every night (this was when I
was a teenager) in order to unwind him from the stress of work. I never saw my dad drunk. He did not drink to be noticed. He drank to unwind quietly. There were apparently things happening
at work (perhaps also in life) that were unpleasant and stressful. Alcohol apparently made these stresses
more bearable.
My fatherÕs own father, James Abraham
Clark, also liked to drink. His
wife, Lily Palmer, did not want her husband to drink. They didnÕt agree on this; and the
disagreement eventually became a war.
Lily Palmer became a Temperance Unionist, marching in political demonstrations
designed to make the purchase of alcohol in America a criminal act.
Lily Palmer eventually won the battle,
although she did not live to see her victory. She died in the year 1920 in
Manistee. Her husband never
re-married.
My father was sixteen when
the Great Depression hit. His
father made money working as a steelworker and a metalsmith
mostly in Chicago. He and his son,
Jake, would take a ferry across Lake Michigan early in the morning; James
Abraham would go to work; Jake would wander around Chicago, take in an
afternoon baseball game at Wrigley Field; then Jake would meet his father at
the dock and ride the evening ferry back to Manistee. This all ended when in 1929. Work vanished. Savings vanished. Uncle Don was working in Denver, just
having started his career with the Parks Department. He sent the family money for a train
ride to Denver. The family moved in
with Uncle Don, who was married to Aunt Geri, a talented, intellectual woman,
who loved books, painted landscapes and still-lifes
with passion. We would later get to
know Aunt Geri more closely as my family and Uncle DonÕs family came to share
vacations each summer for a time, each renting cabins from Joe and Ethyl Neith across from Ryan Park in the foothills of the Snowy
Range Mountains.
Uncle Bill was working as a
journalist in Laramie, Wyoming in 1930.
He invited his dad and Jake to live with them in Laramie. They agreed, moving the 400 miles from Denver
and establishing themselves in a small rental house, Uncle Bill helping with
the rent.
My grandfather found occasional work
at the local cement plant, or working for the Union Pacific Railroad. Work was not steady. James Abraham and Jake, with Uncle BillÕs
help, also set up a still in the basement.
Once a week the local bootlegger, Jack McTeague,
would back up his car, after midnight, to the Clark house basement storm door
– a rental home -- and they would load up his car with jugs of illegal
moonshine. The cash from these
weekly visits kept them above water during the long years of the Depression.
My father was an
athlete. He attended Laramie High
School and played basketball and football for the high school team. He played baseball in the local summer
leagues. He was a good athlete,
becoming All-State in both football and basketball. He received an athletic scholarship to
attend the University of Wyoming and play basketball. Two years before my father enrolled in
the University of Wyoming, the Cowboy basketball team won the US National
Championship, beating Georgetown to take the crown.
After completing his education at the
University of Wyoming in 1936, my father was hired by the Sinclair Oil Company
to work as a laborer in their refinery down the road in Sinclair. He was hired because he was an
athlete. In fact, all the men being
hired by the refinery were being hired because of their athletic prowess. There were national softball leagues in
those days; and corporations fielded teams as a way of advertising their various
products. Sinclair Oil wanted to
field a team that could compete nationally. They hired my father and Gene Hittner, who would become my Uncle Gene, who was one of the
best fast-pitch softball pitchers in the country at that time. Gene would later marry my motherÕs
youngest sister, Patty. He would
also later become my high school football and basketball coach.
My father was drafted in
1941 to serve in the American Army during World War II. He fought in George PattonÕs army; although my father was quick to point out that he worked
in the clerical corps of the medical department. He was not in the infantry corps. He operated behind the lines. He was no hero. He simply did his job. He was lucky to survive.
He told me that, one night in Italy,
enemy planes flew low over their camp, scattering machine gun fire and dropping
bombs. My father was in his tent;
that afternoon he had dug a pit inside the tent beside his bed. As the planes came in, and the bombs
shattered the night silence, he rolled out of his bed into his personal bunker;
a bomb hit beside his tent and blew everything above ground away.
He was unharmed.
He told another story. He was in Germany. Germany planes were strafing his
camp. My father was hiding behind a
hill, lying near the crown of the mound.
Americans were firing back.
My father looked up at the German plane flying toward him. He saw the face of a young, teenaged
German boy, frozen in fear, harmless, tragic. This image was frozen in my fatherÕs
mind.
The German pilot crashed behind my
father about 300 feet. My father
found the boy dead in the wreckage.
My father participated in
the allied landings
in North Africa, Southern France, Sicily, Anzio and Palermo. Anzio was the hardest. At the Monastery of Monte Cristo, allied
soldiers were pinned down for weeks by German and Italian fire directed
straight down at them. These were
the most painful, lonely and dark moments of my fatherÕs life.
My father brought war
trophies home from Europe: a captured German military helmet (much heavier than
I expected, and more crude, having seen them on television, in the Combat series); and snapshots he had
taken during the liberation of Bergen-Belsun, the
concentration camp, with naked corpses filling up railroad box-cars, and
starved and starving men lining the fences of the camp, hollow speaking shells
of men, asking for chocolate perhaps, thankful for their deliverance. Who were the Jews? Why were the Jews
hated so much by the Germans?
Holding the captured German helmet was
like holding a religious relic from the Black Mass. One could feel Evil in the scarred metal
conquistadorÕs protection.
America was the force of GodÕs Will,
GodÕs Virtue. America had saved the
world from the satanic for of German Naziism. Hitler was a form of the Devil. There was no other way to understand
this. America was GodÕs
country. America was the Land of
Angels apparently.
The Sinclair Oil Company had
a policy of country time-served in the military as time served for Sinclair Oil
– the six years of my fatherÕs military service were counted toward his
continuing seniority. When my dad
returned to Sinclair he was given his old job back, with a promotion and a
raise.
On the way home from Europe, my father
had stopped in New York City for a week.
He had made inquiries at Yankee Stadium. They were holding tryouts. My father joined the tryouts to become a
New York Yankee. Apparently they
liked his defensive skills, but wondered if his hitting would be productive
enough for the major leagues. They
declined to offer him a job.
He settled in to life in Sinclair
again. His friend, Bud Daily, who
would later become a Senator from Casper in the Wyoming State Legislature,
introduced him to my mother, who also worked at the refinery, in the clerical
pool. Bud told my father, his best
friend: ÒSheÕs pretty good looking.
But sheÕll talk your leg off.
She never seems to close her mouth.Ó
Yes, that was my mother, in a
nutshell.
My mother had left her home
in Rawlins after graduating from high school. She moved, alone, to Salt Lake City and
found work as a secretary. She
later transferred to Seattle, and then to Anchorage, Alaska. She worked for a company that was
building air force runways in Alaska.
When the war ended, she returned to
her home in Rawlins. She went to
work at the Sinclair Refinery. She
loved to travel. Her plan was to
work for six months or a year, to save money, and then to move to Australia. She was fascinated by stories of
Australia, fascinated by aboriginal art and myth.
She met my father in 1947. They were married that same year. In October 1948, they had their first
child, a daughter, Laura Marie, my sister.
III. WHERE DOES A MOTHER
COME FROM?
I realize that this is a
love story – I have not forgotten this – and that I am traveling on
the very periphery of this story.
But it is not possible to understand the fruit – the culmination
of the deed -- unless one understands the root, the seed-bed
from which the stem, the tree, and the branch are born.
Who is my mother – who
was my mother? My mother is dead
now. My mother was the seed-bed. My
mother was the fountain of Life in fact.
My mother was born in 1923, November
10. She was the oldest child of
William Clause and Marie Lola. The
Clause family was German and Scotch-Irish; but the family was more profoundly
Irish, with McGlones and OÕMelias
fastened near the root, spreading in all directions. My grandfather and grandmother lived in
Irish Town in Rawlins, Wyoming, east of the Post Office, at the extreme end of
Cedar Street, across from the railroad tracks, next door to the Ryans, three houses down from the Jordans.
The saying was: the Mexicans lived on
the south side of town, the Catholics lived on the
west side.
There are myths that
surround every family. Here is one
of the myths in my motherÕs family.
When my grandmother first traveled to Rawlins, to teach grade school in
nearby Hanna, after having completed college (education major) in her home town
of Montgomery, Minnesota, she traveled by Union Pacific railroad, arriving on
Front Street the very same day that an angry Rawlins crowd pulled an outlaw
named George Parrot (famously known as Big Nose George) out of his jail cell
and hanging him from a telegraph pole adjacent to the train station. My grandmotherÕs first introduction to
Rawlins was the dead-weight corpse of George Parrot hanging in the evening sun.
George ParrotÕs body was taken down
from exhibit that same day, March 22, 1881, by the town doctors Thomas Maghee and John Osborne, who began an immediate autopsy
which included the study of the outlawÕs brain in an attempt to find the
ÔlocationÕ of his anti-social behavior.
The examination didnÕt stop there.
Doctor Osborne molded a death mask of the dead man – a death mask
with no ears, as GeorgeÕs struggled at the end of the rope while being hanged
had torn off both ears. Then Doctor
Osborne – probably skilled at skinning deer, elk and antelope – cut
off the skin from the dead manÕs thighs and chest – including both
nipples. Osborne sent this skin to
a tannery in Denver, Colorado, with instructions to make of GeorgeÕs skin a
pair of shoes (size eight) and a medicine bag.
The shoes and the death-mask
are still on display in the Carbon County Historical Museum. The medical bag was misplaced at some
point.
The odd behavior of Doctor Osborne did
not diminish his stature in Rawlins.
He soon thereafter became prominent in local politics. In 1892, Doctor Osborne was elected as
the first Democratic Governor of the state of Wyoming – it is said he
wore his Big Nose George shoes to the inaugural ball in 1983. Later, Osborne became President Woodrow
WilsonÕs Secretary of State.
How much of this story is
true? I remember hearing, as a boy,
that ParrotÕs nose was fashioned into a tobacco pouch. Apparently this part was not true. As for my grandmother arriving in
Rawlins the day Big Nose George was hanged, in March 1881, I later used math to
cast doubt on this recollection. If
my grandmother had completed a four-year degree at the teacherÕs college in
Montgomery, Minnesota, she must have been in her twenties when she arrived in
Rawlins. Being kind, I suggested
she was a wonderful student and arrived on the train when she was 20. This means she was born in 1861. Considering she married my grandfather
in 1921, this would have made my grandmother 62 years old when she gave birth
to her first daughter, my mother, Mary Ellen, in 1923. She did marry late in life. But Ôlate in lifeÕ means in her late
twenties or early thirties. She
would have been 89 years-old when I was born in
1950. She was not 89 years old when
I was born.
A second myth surrounding my
motherÕs family: sometime shortly after my motherÕs birth, my grandmother was
wheeling her baby daughter around the streets of Rawlins on a pleasant afternoon. Two men rode by on horses. The two men got off their horses. One of the men walked over to my
Grandmother Clause and looked at the baby in her stroller: picked her up and
kissed my mother on the cheek.
ÒWhat a beautiful baby!Ó the man said – then he set her carefully
back into the baby-carriage. The man was Butch Cassidy, Robert LeRoy Parker, famous outlaw and partner of the Sundance
Kid.
Sadly, at least in terms of the family
story, Butch Cassidy is said to have died in 1908, in a gun battle in Bolivia;
and my mother was born in 1923.
Apparently Butch Cassidy, a
Ôjack MormonÕ born in Beaver, Utah, and the Sundance Kid were seen quite often
in Rawlins. And there have been
claims that both men survived the shootout in Bolivia, and returned to America
to live quietly. Lula Parker Betenson, CassidyÕs sister, wrote a biography stating she
and her brother met at an impromptu family reunion in 1925, attended herself,
her father, her brother Mark, and her brother ÔButchÕ. Red Fenwick, a well-known columnist for
the Denver Post newspaper told writer
Ivan Goldman in 1975 that he had been acquainted with ParkerÕs (CassidyÕs)
doctor for years, a woman, who told Fenwick she had continued to treat Butch
Cassidy for many years after his supposed death in Bolivia.
There is anecdotal evidence that the
Sundance Kid also returned from Bolivia, lived quietly out the rest of his life
in the Rocky Mountain area, and died in 1936.
My grandmother did not like
Rawlins. She fell in love with and
married my grandfather in 1921. My
grandfather had trouble getting and keeping a job. She would shop in downtown Rawlins and
see signs in the windows: ÒHelp Wanted.
No Irish Need Apply.Ó
My grandfather was Irish enough to
keep him from getting these jobs.
My grandmother did not like living in
Irish Town. She was a devout
Catholic – Czech Catholic – she would remind her children: ÒWe are
Czech, not Slovak!Ó She would not
allow the Czech language to be spoken in her house, even when Czech friends
visited – ÒWe live in America now.
We speak English!Ó My
grandmother understood the ÔNo Irish-Catholic Need ApplyÕ was a backhanded
English Protestant reference to the social and political system in America that
placed Catholics beneath Protestants.
My grandfather, for his part, would
rather spend the day in a local saloon singing, drinking and telling stories
than working in a stiff button-down shop downtown with the other local
Protestants busy transforming America into the richest country in the world. My grandfather was playful. He was charming, and had a charming
smile. But my grandmother wanted
more from life, wanted more social advantage, a nicer house, a better
situation.
My grandfather apparently could not
provide it. This caused tension
between them all of their married life.
My mother was a tom-boy, tall, gangly, extroverted. She was her fatherÕs daughter. My mom and her father would go hunting
together from the time Mary Ellen was a little girl, just Ellen and her
dad. Her dad would drive out south
of Rawlins, out toward Jack Creek, looking for antelope. They would track the antelope for hours,
sometimes in hot sun, sometimes never even taking a shot. It was good to be out of town; good to be away from civilization. (Life in Rawlins was not easy for my grandfather. He was not successful. His wife reminded him of this; and his
richer relatives also reminded him of this. With his daughter, hunting antelope
south of town, with a bottle in his pocket, his rifle, binoculars, and his
un-judgmental and loving daughter, grandpa felt like a whole man again, not a shattered fragment
of himself, torn apart by civilizationÕs demands and idolization of successful
businessmen.)
They could walk for hours;
or sit quietly in the sagebrush together all morning. Then, ever-patient,
her father would site in the king buck who had hidden all day; grandpa, with
his telescoped 30-06 rifle, would calmly take aim and adjust his seating,
calming himself with steady, deep breathing, and drop the buck in his tracks. Father and daughter would cart the
bloody, dead antelope back to the parked card, mount
the corpse over the front hood of the car, antlerÕs forward or antlerÕs
driverÕs side, and drive back to Rawlins filled with pride. They would drive several times up and
down the main drag of Rawlins so everyone could see them, loaded with
treasure. Let them say what they
wanted to say about William Clause: this man could hunt!
Yes, Grandpa Clause loved driving
through Rawlins with a big, bloody buck strapped to the hood of his car. This was proof he was providing for his
family. There was always talk in
the town, in the extended family, about Ôpoor MarieÕ, how her husband was not
much of a man, couldnÕt make or keep money, couldnÕt find or keep a job. He liked his freedom. He liked his liberty. Yes, these two things were not exactly
the same. But when he drove through
town with a dead buck lashed to his car, he felt like Jim Bridger himself, a
warrior bringing his treasure wrestled from wild nature back to tame
civilization.
Both my mother and her father were
happiest outside of town. My
grandfather taught my mother to shoot the gun; and soon she was taking down
antelope and deer too. And he
taught her and his wife how to fish.
Grandmother Clause Ôwould notÕ hunt, a pastime she felt ÔbarbaricÕ; but
she did fish, loved fishing, and became quite good at it. They fished on Jack Creek, the Platte
River, and then made forays into the Lincoln Park and the Bush Creek areas of
the Snowy Range mountains above Saratoga.
Sometimes they stayed out late –
and it was very late when they returned home, after midnight. Her father had been nipping on Irish
whiskey all day. My motherÕs job
was to keep talking to her father, keep him awake, so he would not run off the
road. My mother always said this is
how and when she became so talkative, a trait that would shadow her to her
grave.
The marriage of William and
Marie Clause was not especially happy.
Marie wanted more. And she
let her husband know that other women in town had a better life than she did.
To her credit, she would not stand any
criticism of her husband. But she
was not happy. She could criticize
him; no one else could.
More children came: Rita, the
prettiest, followed by Patty, the friendliest, and the most popular; then, later, a boy, Jimmy. Jimmy had a childhood disease that
robbed him of his normal bowel activity.
He was forced to wear a colostomy bag. This was tragic for a young, handsome,
active boy in 1930Õs Wyoming. Jimmy
shrank; he turned inward; he did not want to leave the house.
My mother – the whole family
– became violently protective of Jimmy, the baby. Children were mean. ÒO God, Jimmy Clause stinks!Ó girls
would call to their teachers.
ÒSomebody must have shit their pants! I guess we know who that would be!Ó the
boys would call on the playgrounds.
Jimmy turned away from people.
People were cruel. People
could not be trusted.
In fact, the people of Rawlins were
very cruel. Her father could not
find work because he was Irish Catholic.
Her brother was ridiculed by bullies and shrill cats
because his body had delivered him a bad set of cards. They were a family of outcasts.
My mother shadowed her
father during the day. They would
sit outside the A&P Grocery Store and listen to the baseball game on the
radio together. My grandfather
taught about the intricacies of baseball.
It was the most sophisticated of sports, the most soulful of games. It was a thinking manÕs game. The pitcher had to think, about the
hitterÕs strengths and weaknesses; about his own weaknesses, and how they
aligned with the hitterÕs; about how his defense was set. What kind of pitch would the hitter be
looking for, and where on the place would he be looking? An aggressive hitter tried to outguess
the pitcher. ThatÕs why the pitcher
had to bust a fastball in close to the hitter every now and then, to teach him
some fear, or at least respect.
Then came execution. A pitcher might be a great thinker,
understand the intricacies of the game, the tendencies of the hitter: but could
he put his pitch where he needed to put it? The hitter was looking for a fastball on
the inside of the plate. The
pitcher might be able to get away with throwing a fastball if he painted the
outside edge of the plate – but did he have the skill to do this?
David Halberstam
called baseball a game of Ô9 desperate, isolated atomsÕ: baseball was not a
team sport like basketball or football, a game in which the rhythm and flow of
the game swallowed up everyone on the court or field in a group dynamic of
motion, where individuals were often unnoticed, lost in the animation of the
magnetic field under inspection.
Baseball players were alone, each under their own microscope, isolated
by a kind of floodlight. An error
on defense was obvious to all. A
weakness on offense was clear to every observer. It was you against him, you against the
ball: and there was no place to hide on a baseball diamond. Fear was a big part of baseball, fear of
failure, fear of making the big mistake.
This made baseball much different psychologically than the other sports,
where thinking was less exacting, acting was more a response of instinct.
My mother was a New York
Yankees fan, a trait she passed on to my brother Bill. She and her dad were Yankee fans. They would listen, together, to the
exploits of Babe Ruth, Lou Gehrig, later Joe DiMaggio, living and dying with
the fortunes of this national treasure and dynasty.
Grandmother did not want to hear about
this. She was struggling to find
food for the family during the Great Depression – and her husband was off
listening to baseball games. Had he
bothered to look for work all day long. She heard they were hiring at LongÕs
Foundry. Did he bother to go by
LongÕs Foundry?
Grandfather Clause finally
found work at the penitentiary, as a guard watching over the prisoners. The family did not realize what a mean
job this was. It wore my
grandfather down quickly. He was
expected to be brutal to the prisoners; many bullies worked in the
penitentiary, and liked the physical nature of the job, the need to discipline
the criminals.
My grandfather tried to conform to the
job. His stride changed. He became more gruff,
a bit mean. My mother noticed the
change and did not like it.
Now, when her dad drank, he became
cruel, frustrated – before he drank to laugh – now, when he drank,
he seemed to court a fight.
My grandfather was a short-man. He had a short-man complex. He used to prop himself up on his toes,
as a way of trying to be as tall as the other men.
In the mid 1930Õs, a group
of JehovahÕs Witnesses were meeting in Rawlins, passing through town on their
way to Utah. A group of Rawlins
citizens confronted them, demanding that they salute the American flag. They refused; their religion did not
allow such temporal worship. The
group demanded that they proclaim their love of America, and their willingness
to serve in the American armed forces.
They refused. The men in the group were beaten by the angry citizens. The police had to step in and ÔarrestÕ
the JehovahÕs Witnesses and take them to jail for their own protection.
When my grandfather heard about this,
he hurried home and dressed in his World War I army uniform (he had been
drafted by did not serve in Europe).
He had been drinking; he wanted to show his love of his country.
That evening many men and some women
surrounded the jail, demanding the prisoners salute the flag.
The word was passed to them that the
Witnesses were no longer in jail, but were seen on the edge of town, leaving
Rawlins. The mob jumped in cars and
pursued the fleeing ÔpacifistsÕ.
They caught up with them on the edge of town. A group of about forty citizens of
Rawlins, my grandfather included, both men and women, set upon the eight
JehovahÕs Witnesses (five men, three women) and beat them, tore their hats and
clothes, and tarred and feathered them, leaving them bruised and battered on
the side of the road; one man was left unconscious in a wheelbarrow.
My grandfather returned home late that
night. The word of what had happened
spread throughout Rawlins. My
grandfather appeared at around 11:00 PM, drunk, his army uniform stained with
tar and blood. He was ashamed. He crawled into bed, saying nothing
about his role in the incident. No
one was allowed to mention the incident in the presence of my grandfather after
that.
My mother was lanky and a
bit awkward physically as a girl; she got puberty late, and got her breasts
much later than the other girls.
She had a pretty face; but she was a Catholic girl, uncomfortable with
dating and sexuality. My
grandmother took in sewing to make extra money during the Depression, and my
mother helped her do this. My
mother also got a job waiting on tables after school, when he was in high
school. My mother took typing
classes, bookkeeping classes. She
was good at office tasks and was preparing herself to become a secretary upon
graduating.
My motherÕs family was poor, but not
destitute. The ÔotherÕ side of the
family helped – there was a wealthy side of the Clause family, a brother
who owned buildings in Rawlins. He
had died a left his money to his own family. I would know this side of the family as
the Twins, Esther and Robert.
The Twins, Vincentia and Veronica,
were like two medieval nuns, always dressed in black, always listening to Guy
Lombardo or Liberace records, small women, who never missed a 6:00 mass,
walking together the eight blocks from their house to St. JosephÕs Catholic
Church.
Veronica had been married
shortly, had a son, Vincent. Her
husband died suddenly. Veronica
moved back home to live with Vincentia.
From that point on they never separated. They raised Vincent together, with help
from Uncle Robert, a sly old, introverted bachelor who never married.
Veronica and
Vincentia where small, withered woman who now always dressed in black. Conservative, devout, soft-spoken, they
seemed ready for death, waiting for death, many years before death came.
Their sister, Esther, was the
opposite: a beautiful blonde, shapely, alive, who ran off to live in Denver with
a bootlegger named David Graves.
They were married in a private ceremony. The Twins tried to get their brother to
track Esther down in Denver, to try to get the marriage annulled. It was a sinful union. Graves was a sinner and a criminal who
had seduced the beautiful, innocent Esther and taken her way under a devilÕs
intoxication.
Robert eventually drove to Denver, did
track down his sister, did bring her back home to
Rawlins. Esther apparently had come
to see that her wild life in Denver was not in her own best interest. She agreed to a divorce from David
Graves, which cast her out of the Catholic Church. Esther rented an apartment in Irish
Town, not far from my motherÕs house; each year she bought herself a brand new
Cadillac; and one could see her on the highways around Rawlins and Sinclair,
driving all day, in one of her brand new pink Cadillacs. She never re-married.
Uncle Robert had girlfriends, at least
one he wanted to marry. But the
twins would not consent to the marriage.
Robert was to live with them and take care of them. The life of the flesh would destroy the
decent soul. Look what it had done
to Esther.
Robert dated, but did not marry.
The family had made a fortune
investing in Western Nuclear Company, which owned three uranium mines at Crooks
Gap and operated a mill near Jeffrey City, Wyoming. Western Nuclear would later buy mines
near Spokane, Washington, near Grants, New Mexico (mining rubies as well as ÔorebodiesÕ) and the Beverley Uranium Project in South
Australia.
The family was not flashy with their
wealth; modesty was their code.
They all lived in the same small house off Cedar Street the family had
built years before; Esther rented an apartment about seven blocks away. Robert did buy a classic Airstream
mobile home in the mid-1960Õs, the top of the line. He did not want the Twins to know that
he had spent the money, so he rented a warehouse garage across town. He would tell the Twins he needed to run
an errand; he would drive across town to his garage, inside of which was stored
the brand-new Airstream trailer, and he would sit inside his new Airstream
mobile home, inside his garage, quietly, getting away from everything, getting
away from his cloying sisters, and from their tedious ministrations. He hid his little getaway from his
sisters for all of their life, never once turning on the record player in his
Airstream to hear either Guy Lombardo or Liberace.
The family also owned the Jade Lodge,
across the street from the City Hall and town jail, a small, nice motel which Robert ran for the family.
Marie got money from the Twins, Esther
and Robert -- otherwise the family could never have survived the Great
Depression.
My mother did not like
Rawlins. She did not like to see
what it had done to her father, and what it was doing to her mother; she did
not like what it had done to her brother Jimmy
either. She could hardly wait to
leave.
Her love life in Rawlins was
disappointing. She wanted a special
man. And the boys in high school
were small, insignificant: so boyish.
They had no nobility in their hearts.
In 1941, Japan attacked Pearl
Harbor. The country began to gear
up for war.
In 1941, my mother was graduated from
high school. She wanted more
adventure. She had skills:
shorthand, stenography, typing. She
intended to be a secretary.
Against her familyÕs wishes, Mary
Ellen left Rawlins and took the Union Pacific train to Salt Lake City, where
she found work in the office of a Randall Construction Company. The family had friends in Salt Lake, so
she wasnÕt living alone. She sent
home money every month to her mother.
The next year she transferred to
Seattle, staying with the same company.
She liked Seattle more than Salt Lake. Salt Lake was beautiful; but she was a
Catholic, in a city of Mormons. She
was never very fond of Mormons.
Seattle was wet; but the rain made it more romantic. The men she met in Seattle were more
interesting than the men she had known before. But all the men were leaving the
country.
In 1943, Mary Ellen transferred again,
to Anchorage, Alaska. The company
had been hired by the Army to build runways in the Aleutian Islands. She was far away from the war front; but
she was never far away from the war effort. She dated pilots. The world was life and death suddenly;
but everyone she met was on the same side, fighting for the survival of
America.
Then the war ended. Randall Construction Company ran out of
work.
Mary Ellen returned home. She had a plan. She would work at the Sinclair Refinery
in the secretary pool – she could also run a switchboard – and save
enough money to travel to Australia.
Her adventure was just beginning.
The first time my mother saw
my father – in summer 1946 – she was taken by him. He walked with grace; he was
left-handed; he had many friends; she never heard of anyone who did not like
him. But he did not seem to notice
her. She tried to catch his eye.
Bud Daily, one of my motherÕs high
school classmates, was a friend of Jake Clark. Mary Ellen told Bud that she wanted to
meet Jake. Bud wasnÕt sure it would
be a good match. Jake was very
quiet, reserved. Ellen was
not. Ellen could be the life of the
party; and she could talk a blue streak.
She talked too much for Bud.
May Ellen asked Bud to intercede for her. He agreed.
Their first dates were
somewhat stiff, as they tried to get comfortable together. Mary Ellen liked Jake,
that much was clear.
Sometimes she seemed to try to hard.
My dad was thirty-six years old. He had played, he had traveled, he had survived the Great War. Now he needed to settle down and raise a
family. Was Mary Ellen Clause the
right woman for this? He did not
know. She brought him warmly into
her family. Her mother loved Jake,
and welcomed him immediately. The
whole family seemed to love him. He
was gracious, thoughtful, sensitive. He was the ÔspecialÕ man my mother had
been hoping to meet. The thought
that he might not like her made her desperate, frantic at times.
When my dad asked Mary Ellen to marry
him, she was shocked, and she had never been so happy. Jake was the best man in the town, the
best man she had ever known. She
said yes immediately.
They were wed that autumn. Ted Neuman was
JakeÕs best man – more about the Neuman Family
later – and Patty, Mary EllenÕs sister, was EllenÕs Lady-in-Waiting.
In October of 1948, they had their
first child, Laura, my sister. In
October of 1949, they had my brother Bill.
And in December of 1950, my mother gave birth to me. That was when everything got a bit
strange.
VI. FIRST LOVE --
EVERYTHING GETS A BIT STRANGE
I have written of my first
understanding, my first love, with my mother. It began in the womb – at least,
thatÕs how I picture it in the imagination -- when I was but a mineral atom, a
kind of small earth rotating and evolving at the end of my umbilicus, like a
space traveler attached to his space-craft.
My mother was my space-craft.
If my mother lost her balance, or
fell: I fell too. If my mother
drank too much alcohol: I felt it.
If my mother smoked cigarettes – and my mother did smoke cigarettes -- I felt that
too. I sensed the smoke, and tasted
the acid tar and burning paper – what a lovely word, ÔnicotineÕ. If my mother made love with my father
– if my father climbed the mountain of my mother and stuck his fleshy
spear into the dark lagoon, the delta of his wife – he was a fisherman
then, afterall, an unseen hunter seeking a treasure
hidden in the sea: I felt that too.
I was a fish, remember: I evolved into a fish, from a stony mineral
spasm to a mandrake, to a tadpole, to a rainbow trout. The spear was not my friend. It was an invaderÕs tool. Perhaps it sought to hurt or even to
destroy me. I was a toad suddenly,
hiding behind Mosaic reeds in a moonlit pond.
I do not remember being jealous of my
father when he took possession of my motherÕs flesh with a gentle and a steady
insistency – how much did I even understand of human passions at that
primordial stage of my evolution? I
was aware of my mother in a very vague sense, as I am aware of Nature when I
walk on the beach and see the brooding sky with dark clouds approaching, when I
feel the wind blowing in my face, tanning my face with a surly and sturdy
abrasion: my mother was like that: ever-present, creating conditions of my
atomic atmosphere (ÔatomsphereÕ Joyce would call it, with
all the sound implications that go with such a word).
I was not aware of my father at all at
that point. Although I probably did
sense an invader was near.
When did love begin? When does Love begin? As I have suggested, I believe that love
is the essence of the universe, and the basis of all existence – so to
suggest there is a time when the love switch was turned off implies that there
is a secondary or perhaps even a primary or an adversarial force that sometimes
rules a nature, when the love-switch is turned off.
What would this secondary (or is it
primary) nature be? Nietzsche might
call it the Will-to-Power. Perhaps
Will Power and Love share the world, one being the Day-Force and the other
being the Night-Force, the first being the expansive Construction Principle, the other being the contractive Deconstruction Principle.
I do know that my love for
Leslie Harmon was Ôturned onÕ suddenly, after many years of being turned
off. Why did this power of love
Ôturn onÕ in 1976? Where and why had
it been hidden from me for so long?
In fact, I will attempt to answer
those questions as I go deeper into the mystery of love, of power, of Time
itself.
Birth is the first great
separation. We dwell in an egg, in
an egg in the water – we suspect this animated sequence will endure for ever. We
have no sense of time. We are in a
dream; images move through us: we become the images; the images become us. Then, suddenly, an alarm goes off: the
atom decays; and Time suddenly appears?
From where did Time come so suddenly? Is Time connected to sunlight in some
magic way? Is Time periodical? Is
Space eternal; and is Time merely the shadow side of Space?
As surely as the American Indians (the
tribal Night-Cycle Principle) became aware of the Time Principle when European
crusaders landed in North America, I became aware of Time when my mother opened
her garden gates and dropped me in the world, an egg-boy extruded from the
Golden Egg which was my mother.
I did not ask these
questions when I was born, of course.
I almost remember seeing light rushing in to the room; I almost remember
the door opening; I almost remember strange, alien creatures dressed in white
with covered faces welcoming me into the new room, through the open door,
pulling me by the hand, by the arm, by the shoulder: coming out head-first like
a diver jumping in to a new kind of ocean, an ocean of air instead. Was I a bird suddenly, transformed from
a fish by the primary element in which I was dwelling?
I almost remember my lungs filling up
with air. Doctor Baker had a small
but thick hand; I do remember that – and a wedding ring– not the
cracking sound on my butt that I heard helped deliver air into my inverted
lungs (which I had been led to believe were gills, in fact) – but later
in life, as he set a broken finger for me, which I had injured playing
basketball, I do remember noticing again his thick, spotted hands, and the same
wedding band. Doctor Baker, a grim
little man, short, with thick shoulder, balding hair, and yellowing finger
nails, assured me that everything would be alright, as he fitted a metal split
on my injured finger.
Doctor Baker did not explain about the
hidden expiration date we all carry inside of us, however: all of life, all of
matter also perhaps: all forms of matter.
We are all like a library card (or a credit card, if I need to be more
modern) that will expire at some point in the future, denying us, after that
point of expiration, any more adventures, escapades, any more doors that we
might open, seeking to expand our knowledge, fuel our fantasies, sustain our
desires, or to further and/or diminish our illusions. At some point – and I believe this
is an electro-chemical process, programmed in our genes but enacted in our
atomic structures – the electricity that is Life, governed by temporal
atomic instruction, is simply unplugged; and we collapse like a bubble suddenly
deprived of its wind.
In this there is essential
justice. In the end, everyone is
the same again, returning to the solar soup, this latest odyssey on Earth
completed.
It is not a mere coincidence
(or even simply a mirror coincidence I believe) that each member of the human
species begins his life in a dark cave, the womb, and that humanity, as a
species, began in a dark cave also.
We take up residence in the cave and we hide from the forces of Nature
until we are strong enough (and oriented to our new strange habitat), before
venturing out of the great caveÕs yawning mouth or door (yes, Jesus threw aside
the stone also and stepped forth out of the cave as a new man), ready to move
beyond the Stone Age, into the Plant Age, the Animal Age, into the Human Age,
then in to the Spiritual Age.
I am getting a bit ahead of myself.
I loved my mother first, of
course. She was the woman (or girl)
I first knew, touched, kissed and was kissed by. I touched her breasts; I kissed her
breasts; I got sustenance from her breasts. I received affection and attention from
her breasts, so soft and warm, so pleasant to touch.
One can argue against FreudÕs
conception of the Primal Family and the emotional and psychological and
sexual-social mechanics of the atomic microcosm that is the family in the private house, a model, in miniature of the
larger, macrocosmic paradigm: the human race in the house of Planet Earth:
everything happening in the larger world also happens in the smaller world as a
thought or as an intention if not always as a finalized action. One can argue against the Freudian
logic, even condemn it as a perverse interpretation of something nobel and majestic, GodÕs ecstatic
nativity of love and respect in the Human Family.
But when one looks below the moral
surface of outrage and false puritanical self-devotion that declaims Freudian
logic (and Jungian as well, usually marbles being spit out of another typeÕs
mouth), one understands that love is present from the beginning – love
being an affection, a desire, a jealous possessiveness, and a form of madness
reaching to the end of existence, a shadow of death itself – and that
struggles between the father and son(s) for the love of the only woman in the
world, one manÕs mother being the other manÕs wife – we think, of course,
of the Tristan and Isolde myth wherein King Mark gets
to play the role of the aging father -- do begin at an early age, and do form a
protoplasmic template through which the son experiences the world as he grows
as leaves the cave to find his own life.
From the very beginning, there is both the high and low, the majestic and the tertiary, the
noble and the platonic and the ignoble, the mean, and selfish expectations
often interwoven with lust.
Every man is two men at
once: an Outside Man, with a face, and a set of behaviors that are intended to
be rewarded by the social managers, the powerful archons of social convention. The Inside Man is the opposite of this
Outside Man, a mirror image in fact: the Inside Man sees, even as the Outside
Man is seen. And these two men
inside the one man are often at war, often despise one another, often engage in
warfare to try to unseat the other.
The Inside Man moves in one direction; the Outside Man moves in the
opposite direction.
This mythical activity is often
represented in the family by the behavior of the sons, the brothers, who are
fighting for recognition in the family, first, and then in the larger world,
the macrocosm. Each brother plays
these roles with the other – the Body Life, the Outside Man, and the
Solar Life, the life of the imagination, the Inside Man. Often the same brothers exchange these
roles many times in a single day, flipping back and forth, as a way to gain
attention, or as a way to avoid responsibility, as a way to expropriate love
from another sibling or a parent.
Children are trickier, more
duplicitous, and even more sinister than many adults want to believe, or want
to admit.
My brother and I performed many
rituals of duality in our time of childhood, and even in to young adulthood,
being best friends and worst enemies at the same time, building fortifications
in quicksand to protect our grim and thorny egos against devastation by the
cruel or disinterested objective reality.
My house, my second cave,
was not only the warmest place on the earth, filled with kindness and love and
gentle understanding, and a wealth of food-stuffs that kept me satisfied, it
was also a complicated place, filled with envy, misunderstanding, arguments,
power struggles, open conflict, and frustrated love.
I imagine being aware of tension
almost immediately: I can visualize now periods (I use that word with advisement)
of intense misunderstanding, hurt feelings, anger, resentment; bristling; human
diminishment, revolving in to a form of madness.
During the day, Madness, Chaos,
Sorrow, seemed far away. Of course,
usually, my mother and father were separated during the day. The Sun seemed to make everything more
cordial, warm and expansive. Then
Dusk would begin a kind of secret invasion, which brought a level of fear into
the house, a sense of frustration, limitation, which could lead to some kind of
explosion centered around the dinner table.
This picture of strife was not the
common ground of my early life, and I remember it most clearly from my life as
a teenager. But there was
something, a kind of seedling phenomenon perhaps, in my earliest life, which
suggested angst in the family, an opening of the flower of discord. The sexes, the genders, were apparently
at war – I heard this expression later of course. They needed one another to be complete
apparently; but such completion did not always come easily. The man seemed to see the world
differently than the woman did. The
man seemed to see the world through the eyes of the Sun. The woman seemed to see the world
through the eyes of the Moon. Men
and Women were traveling in opposite directions also, it seemed; much as the
Dual Man was also traveling in opposite directions, the Material Man wanting to
embrace the world and wrench from it all the treasures and pleasures it was
offering to him; the Immaterial Man, the one with the weak body, saw the world
(Objective Reality) as something toxic, sinful, corrupt, offering poison where
pleasure was portrayed, offering sin and punishment where wealth and success
were seemingly proffered.
There was a quite clear
demarcation of times and conditions on Earth. The Sun ruled over the Day; the Moon
ruled over the Night. All the
implications of this were not clear to me yet, of course. But the Sun seemed to be warm and
expansive and to allow the eyes to see great distances in physical plane
reality. The Moon seemed to be cold
and contractive and to allow the eyes to see much less and much shorter
distances; but the Night (I came to view the Night as an entity) – and I
learned some of this by listening to my transistor radio at night – gave
out secrets, forms of knowledge, to the ears rather than to the eyes. The Ears were sacred to the Night; the
Eyes were sacred to the Day. The
ears were profoundly limited during the day. My radio could pick up only one of two
stations during the Day, local stations, one in Rawlins, another
in Casper, capturing radio signals from only several hundred miles. At night, I could hear ÔmessagesÕ from
as far away as Denver, Los Angeles, Chicago, Oklahoma
City. Night transmissions were
usually clear, avoiding the static that dominated the Daytime
transmissions. Apparently the Sun
was hostile to Sound, to the Ears; the Moon was more generous to the ears.
In some clear way it seemed to me that
the eyes belonged to the Day and the ears belonged to the Night. Even the dream belonged to the
ears. When one went to sleep, one
turned off oneÕs eyes – but the ears remained open, feeding data to the
brain that fed images to the sleeping mind.
I was beginning to understand what was
meant by the phrase: the ÔLaws of NatureÕ.
I should clarify this: my Inside Man was beginning to understand the
inside perspective of the Laws of Nature.
The Outside Man studied physics and chemistry and mathematics to
understand the outside perspective fo
the Laws of Nature.
That my sister, I and my
brother – but even more my brother and I – fought for the attention
of my mother is a given, at least in my understanding of how the world works.. Our mother
kept us alive, feeding us, clothing us, bathing us; encouraging our ambitions;
rewarding our successes. She was a
kind of goddess in the Garden of Childhood. She was also a figure of authority. When she loved us, the world was gentle
and good. But when she became
dissatisfied with us, or needed to discipline us, clouds suddenly formed in the
house, voices were raised – on occasion, even one of us was struck
(generally my brother Bill, he being the primary Outside Man in our small
operatic dance of geometry) in order to teach us the common understanding that
there were limits to our self-centered behaviors.
Who did mother love the most? There was always a struggle for
attention. My brother was older and
larger than I. He often used his
physical vigor to position me out of the way – physically and in other
ways -- in order to win my motherÕs favor.
He let me know at a very early age that he was willing to inflict pain
on me in order to maintain his position as number one son. He could do this with looks when looks
were effective, looks filled with meaning and with the promise of physical
punishment if I persisted. When
looks were not enough, he would attack me; and we would usually roll on the
ground, on the grassy or dusty earth, or on the floor of our house, each
seeking to pin the other on his back, a sign that chronological hierarchy and
physical dominion would be served.
Punches in the face were rare. Punches to the body were not so rare.
My brother learned rather early, also,
that tears were useful. Were he to
challenge me, to attempt to inflict upon me fear and pain, and were I to gain
an upper hand, loud tears would usually flow, enough noise and confusion to
force an intercession by my father or mother (usually my mother), in order to
defuse his pending defeat, and postpone the revolution represented by my
impending physical advantage. Tears
would almost always force an end to our conflict, usually to his advantage, as
tears almost always flowed prior to his defeat and effectively stalemated our
experiment in social realignment.
I eventually nicknamed him ÔcrybabyÕ
as a way to announce that I was gaining in my understanding of how he intended
to keep me a background player, his shadow in fact, during our life in the
burgeoning world of Sinclair.
My brother was the oldest
son in the family. He was more
outgoing, more extroverted. He was
a bit of a ham, a performer; I remember my grandmother being entertained by my
brotherÕs loud movements, aggressions, more vocal disquisitions, which my
grandmother considered a social grace, one attached to success, a life with
many friends, popularity being a sign to here that a boy was normal and,
therefore, properly raised. I was
the darker half of the whole, the reticent brother, the
shy one: Mister Inside.
I was Tonto. My brother was the Lone Ranger.
I was the dark-skinned brother; my
brother was the very white leader.
I was expected to follow, to be quiet, to be submissive – the
younger brother who did as he was told.
I learned quite early that
there was a place inside where my brother could not find me. I could go inside, in to my imagination,
in to my spiritual haven, and find peace, rejuvenation and contentment,
escaping my brotherÕs minor tyranny – minor, since I knew that, should I
really wish to oppose his physical supremacy, I could find a way. I did not need to challenge my brotherÕs
status in order to find a place for myself in the world. I was born with a place in the
world. Inside of myself there was a
very large world, much space for myself, a place where my brother Bill could
not find me.
My sister, Laura, was like a
second mother. My own mother lets
us all know that Laura was in power when she, my mother, was gone; Laura was
second-in-command. We were to
follow my sisterÕs word as though it were my motherÕs own word. My sister and I did not have the kind of
closeness one might expect. She was
always a bit of a loner. She had
her own room. She spent time with
in her own company, sitting before her mirror, listening to music on her record
machine.
We must remember that my
sister and my brother were born on the same day – October 26 – one
year apart. She and my brother were
closer, even though their struggle for power was occasionally dramatic, and even
explosive. One summer afternoon the
power-conflict between my sister and brother became very vocal – and even
more. My father was running bath
water in the bathtub. My sister
began lecturing my brother on something – I donÕt remember now –
then tried to force her hand; my brother fought back; shoving ensued; then a
right cross (my brother claimed it was a ÔslapÕ) to my sisterÕs face. The blow caused my sisterÕs nose to
begin bleeding. She ran into the
bathroom and bled, hunched over the bathtub, half-filled with water. She was screaming and crying
hysterically. Before long the house
was aflame with chaos; my sister was certain she was dying, she had bled an
entire bathtub of blood. My father
was furious with my brother for having punched his sister, for having hit a
girl, which, to a gentleman like my father, was unacceptable behavior.
My brother won the battle of
love for my mother. I really donÕt
think my mother loved him more than myself. But my brother seemed to need my mother
more than I did. And she seemed to
understand this. Both my mother and
my grandmother said my brother Bill reminded them of William Clause, my
motherÕs father, my grandmotherÕs husband.
My mother loved her father; my grandmother loved some memory she had of
her husband perhaps, some idea of him.
She loved his better side. I
drifted toward my father.
My father began to draw more closely
into view. He was silent, remote, yet graceful. He
did not need attention, did not need to be noticed; he seemed to appreciate
solitude. I donÕt know if I became
more like my father because I admired him so or if I admired him so because he
and I were so much alike. We became
partners. It was something unsaid,
of course: we became welded together.
The strong, silent man, and his silent son – silence often
being read by the world as a sign of strength.
My brother liked being part of the
crowd, liked having an audience; my mother loved a house full of people:
entertainment, excitement.. They were very much alike in this way.
My father and I needed nothing, needed
no one. The silence was warm and
welcoming. A house filled with
people provided more distractions and more chaos than entertainment to my
father and I. My mother loved
spending a day at her motherÕs house, with the whole family (brother and
sisters and their families) gathering together. My father had one brother who lived now
in Novato, California; another brother who lived in
Butte, Montana. We almost never saw
them.
In 1956, my sister attended
kindergarten in the Sinclair Grade School, a larger brick building across the
street from our house. Kindergarten
was taught by Mrs. McQuarter, a kindly but bland
professional schoolmarm whose most memorable gracing of the world was the
afternoon nap required for all of her students, on the schoolroom floor lying
on colorful, woven Indian blankets.
The following year, my
brother made the leap in to the public school system. This was a good year for
myself and my mother to get re-acquainted in fact. The two forces of disturbance in our
house had been detached. My brother
had taken his first step into the larger Objective Reality. Our house was quiet. I remember my mother seeing them off and
then returning into the house and drinking a cup of coffee, often smoking a
cigarette, at our kitchen table – a quiet hour or two spent doing little
but being together.
I donÕt really remember what we did
for that hour, how much we talked; sometimes a neighbor-woman came by to spend
some time with my mother. But most
of the time I was simply quiet with my mother. She appreciated the peace – at
least thatÕs how I remember it.
We grew closer.
In a way we both dreaded the end of
the silence when my brother and sister returned from school with their noise,
their noisy adjustments to one another.
My sister was quiet by nature.
She never picked a fight.
But she was bossy; and she used her seniority as a club at times, which
almost always set my brother off.
He didnÕt want her telling him what to do. On and on it went.
My sister was usually more gentle with me.
When my brother was not in the house, my sister and I formed a amiable partnership.
But when my brother was there, I quite often signed up with him to
torment my sister. I too resented
her authoritarian demeanor and iron-fisted morality.
I learned rather early in my life that
my partnerships with my mother and sister were always disturbed, at some point,
by emotional upheavals. It seemed
to be another law of life that chaos, emotional turmoil, was embedded into
lifeÕs cycles. Unexpectedly, my
mother could turn into a monstrous shadow of herself, a disturbed personality,
ranting and raving, exploding, a terror caused by the smallest thing. Perhaps not caused by that thing at all,
perhaps caused by something innate, some hidden manifestation of GodÕs plan,
rather than the fact that my brother or I casually mentioned that Vera Vasey made great cookies, for instance, which my mother
could and almost always did take as a personal criticism of herself, the theme
being that Vera Vasey was a better mother than Mary
Ellen Clark was. Taking things
personally – that seemed to cause much of the pain and violence of the
world. The need to defend oneself,
against the suggestion that one was not perfect, that one had flaws, that one was not living up to the image of perfection
that was embedded in oneself with very deep roots.
My sister too was subject to emotional
meltdowns over nothing. We knew
that girls were different. We
– my brother and I – had bathed with our sister when we were young. ÔMom, where is LauraÕs thing?Õ we asked
our mother. ÔMom, LauraÕs faucet is
gone!Õ ÔHoney, Laura has a different
thing than you boys have. Laura has
a binness. BoyÕs have faucets.Ó
Later I conceived of LauraÕs binness being a faucet that had imploded inward. Maybe girls had penises that had been
inverted inward. Maybe this had
something to do with their periodical breakdowns into emotional deluges.
Maybe Mister Outside was the Man, and
Mister Inside was the Woman. Maybe
the Man lived more in the sunlight, and the Woman lived more in the
moonlight. Going ÔlunarÕ meant
going into the shadow-land of Night, a place where women were more dominant, on
the inside of things. Men seemed more sane. My
father was more sane than my mother was. My father never went insane. My mother went insane quite often
– my sister too.
I loved my mother, but I did not love
her world; I did not love our world together, that
often involved shouting, fighting and tears. My world with my father almost never
involved shouting, fight or tears, unless we were dragged into my motherÕs
world. Then all hell could break
loose.
In 1956, I joined my brother
and sister at school.
My first year in public school does
not stick out in my mind. I do
remember the alien feeling of the first few days at school: new faces; names
IÕd never heard before. Some kids
were bigger than I; and there was always the mythologically
omnipresent bully standing at the edge of the school grounds, always
threatening to make oneÕs life miserable.
The threat of invasion from an outside force is apparently always alive,
even if some times hidden, in the psyche of the individual unit and also in the
reptilian mind of the tribe or the civilized town. I remember feeling this fear quite
acutely at school, trying to judge strange faces and ogre-rich shapes to see
which represented a threat to my own safety, or a threat to the continued safe
existence of my Ego bubble in which I floated through life, trying to protect
the fragile state of my own physical and psychological expansion.
I remember my mother talked about this
year being very difficult for her.
All three children were gone.
The house was like a tomb.
She could hardly wait for the kids to return. She used to spend each morning on the
front steps of the house (during the warm months at least), watching the
school, hoping to catch a glimpse of her children, and often crying out of
loneliness.
In 1958 I entered the first grade, and
met what IÕm calling Ômy first loveÕ.
My first love was clearly my own mother – but, excluding my mother
out of a sense of Christian dignity, or perhaps psychological shame, the first
love to which I openly admit, was ÔMiss PettyÕ, a dazzling blonde who taught
First Grade at the Sinclair Public School.
Miss Petty was tall and leggy.
I remember clearly a yellow dress that showed off her legs wonderfully
– a yellow dress with some kind of what lace pattern on top.
ÔMiss PettyÕ was gentle and
gracious. She seemed to take a
fancy to me. The kinder she was to
me, the more I loved her, and desired to possess her. Of course I was not really aware of
sexual possession at that age. Sexual
possession is not primary; it is a shadow of love-possession, holding a loverÕs
soul inside of oneÕs own, where no one else could have it, share it, or
diminish it. I was only six and a
half years old, but my desire for my teacher was clear and untamed. During recess I would try to talk with
Miss Petty, try to get her to smile at me.
And she would smile at me, talk to me.
I was usually shy around women and
girls – Miss Petty was somewhere between being a woman and a girl,
probably 23 years old, having just finished studying education at a local
college. But Miss Petty and I had
some kind of magnetism. I knew this
even at an early age.
I donÕt remember how our
romance turned more physical – but it did. I used to tackle Miss Petty on the
school grounds during recess. I had
learned to tackle people while playing football with the older Vasey boys, our next door
neighbors. One could take down a
much larger person by hooking the calves and then rotating oneÕs body in a
countering position. Bill Vasey, the oldest, who was usually
my teammate, was 7Õ1Ó tall.
Dick and John were both tall and much bigger than I
and my brother. But we both
learned how to tackle them in the front yard of the VaseyÕs
home.
So I would take down Miss Petty on the
school grounds during recess. She
was always dressed nicely, in a skirt or dress always. I would grab her by the calves, pivot my
body in the opposite direction of her stationary momentum, and she would tumble
down to the ground in my arms.
I would end up holding her bare legs;
and she would end up in a surprised and embarrassed pile on the ground, other
students and even teachers watching the public sexual assault. Miss Petty would blush,
explain to me that she could not play football with her students. Her face was so red – she was not
angry at me.
I understood from the signs (some obvious, and some either imagined or
transmitted deep below the surface) that she liked me and even enjoyed my
aggressions. She tried to get me to
stop. But she never got mad at
me. I looked up in to her beautiful
face with an expression of pure love and she was touched by such an honesty. She
eventually visited my family and explained the situation to my mother and
father. I was talking her on the
school grounds in front of the other students. She could not get me to stop. Could they say something to me that
would explain why this was not appropriate behavior?
She stressed that she was not angry;
and that she considered me a wonderful students. She did not want my parents to punish me
– she even suggested that I was her favorite student – but I didnÕt
listen when she told me I had to stop tackling her on the school-grounds.
When she left our house, my mother and
father explained to me that Miss Petty was trying to do her job; and that my
behavior at recess was embarrassing her in front of the other students and
teachers.
ÒDid I like Miss Petty?Ó my mother
asked me.
ÒI love Miss Petty,Ó I replied –
and I could see that my mother was stung by the response.
ÒWell, if you like Miss Petty, and you want her to like you, you will do what she
asks you to do,Ó my mother replied.
ÒSheÕll stop liking you if you donÕt start behaving her at recess. YouÕre embarrassing her.Ó
I did not want Miss Petty to stop
loving me. I stopped tackling her.
I flirted with her all year in my own
quiet way, smiling, catching her eye.
She smiled back. Sometimes
she touched me. Sometimes she would
comb my hair with her right hand, brushing it back from my forehead – an
act that I considered a kind of surreptitious kiss. At the end of the school year, she told
my parents what a joy I was to have had in her class.
She was leaving Sinclair. She was getting married.
I cried when I heard that she was
leaving town. I cried very
hard. My mother tried to comfort
me; I felt it was the end of the world, and that I was losing my lover for ever.
My mother blanched when she heard me
whisper this declaration, through my tears. My mother was not first in my
heart. I had allowed a stranger to
come between us. This made my
mother love me even more, I think, to understand that my love for her had
limits.
The following year, I began
taking the bus to St. JosephÕs Catholic School in nearby Rawlins. I never fell in love again with one of
my teachers.
VII. THE ART OF SEEING --
AND THE ART OF DREAMING, OF VISIONING WHEN NOT SEEING
I am not certain if I was
born blind – badly near-sighted that is. I do remember having to squint to see
the black-board during classes at St. JosephÕs
School. I do remember seeing a
foggy world, like a background picture seen through a veil of snow, through a
layer of white static, similar to poor reception received by a television set.
I did not realize that this was not
the way the world was: distant, disfigured, veiled by
dots of whitish geometric points.
Perhaps everyone saw the world this way. How could I know otherwise. I knew what I knew. I adjusted.
Once a
blind boy, always a blind boy. Tell
that to Tiresias. Tell it to Homer,
or Ray Charles.
Having a difficult time seeing forced
me to develop my other senses – at least, thatÕs
what I believe now, looking back.
As a child I simply lived, without much analysis. Analysis comes only as one is able to
(or is forced to) distance oneself from the ÔrealÕ phenomenal world in order to
try to Ôunderstand what just happenedÕ – and, even more, WHY it
happened. And
even more, if it was a negative experience, how to keep it from happening
again.
The mind develops for many reasons, a
primary reason being to enable us survive.
If we are punched in the face by a
childhood ogre, then we must either strike back and blot out our threat, or
perhaps go into hiding, back into our house, into the cave, or under our
motherÕs metaphorical skirts – God bless Gunter Grass and his The Tin Drum – in order to
discover why this happened – and, at least as importantly, how to keep it
from happening again.
Light brings us all our information
about the world – in this, I use ÔLightÕ in its largest sense. Light is not just visible light, but
also waves that contain sounds and scents and even tastes. Light, visible light, rides in
electromagnetic waves that carry all kinds of information to us. Magnetic fields. Magnetism is a primary characteristic of
love. Radio waves are pieces of light
that bring information to the ear at night especially when one learns how to
harness and use such fragments of light and magnetism.
The word ÔmatterÕ should
include all parts of matter, not just the dense, solid aspect of matter –
which science tells us is mostly empty, mostly space. Not just liquids, gases, and
plasmas. There is matter we cannot see, cannot detect – dark matter – and this
invisible matter constitutes nearly 99% of our known universe. The visible world is a very small part
of the totality, in fact. As with
visible light – light that stimulates our eyes – visible matter is
a minority participant in our universe, but a tyrant surely, with a strength of will to rule, to control, to convince us that
it is everythingÉ.
The eyes have it. The eyes have power; the eyes have wealth
and popularity. (I will get into
this more later.)
Dark matter gravitates but
does not emit much light – like most of the people we know in life
– in scientific jargon, it has a high ratio of mass-to-luminosity. Background noise we might call it. Or the Dead Zone, if
we were Stephen King.
Each of our senses provide evidence of segregated aspects of our reality. Our ears bring us information; our eyes
bring us different information; touch reveals something else; taste something
else. The mind synthesizes these
packets of information and forms a picture, an image, of the world that we tend
to believe is the world – or,
at least, accurately represents the world.
But what would happen to this picture if we were to add another
sense? We would be given an added
stream of information; and, most likely, the picture we had believe
was reality would be proven to be not-reality any longer.
That process appears to be what
evolution is all about. At least it
appears so to me, in moments of utmost clarity. But you know what they say about
clarity? Clarity is the first stage
of a new blindness, the last stage of an old luminescence.
Clarity is a dangerous crystallization
of an idea that has already passed – like light traveling through space
from a star that is already dead.
Because I was born blind, my
eyes became less important to me, became a secondary source of
information. The information my
eyes brought to me was limited. So
I began to listen more intently. Clearly
the eyes and ears worked together, as did all the senses in fact: when someone
spoke to me, I could more easily hear that person than when the speaker stood
far away from me. I believe I read
lips from an early age – and school magnified my eyesight problems
because I was unable to hear the speaker as well when I could not read her
lips.
In my first or second year
of Catholic schooling, my parents bought me eyeglasses. The nuns had warned my parents that I
was having trouble seeing the blackboards.
My parents also had noticed that I never watched television from one of
our living room chairs, but always got up and relocated myself on the carpeted
floor, only a foot or so from the tv
screen. They thought for a time
that I loved the television (which I did, of course) – they eventually
understood that I needed to sit close to the screen so I could see it.
Being marked publicly as being
ÔhandicappedÕ was disturbing, at such a tender age of six or seven, –
Ôfour-eyesÕ was an unsubtle imputation of my masculinity – but it was
nice to see the un-blurred world more clearly for the first time. I say more clearly because I firmly
believe that there is much that exists in reality that our eyes cannot see. As science cannot see Dark Matter, our
eyes cannot see the vast part of reality that is either too large to see, too
small to see, or that has turned itself inward, absorbing instead of reflecting
light, that has mass but does not emit light.
Mass that is, or so I believe at
least, generating massive amounts of light into the inner realm, but not into
the outer realm. Remember my
description of Mister Outside and Mister Inside. Mister Inside projects massive amounts
of light into the inner dimension, while those observing him from the surface,
on the outside plane, see nothing of this luminescence. He is often a loser, a loner, a geek,
one who Ôlacks social skillsÕ, weird, a book-worm, inverted, ÔartisticÕ.
One of the men I worked with as an
adult took offense when my wife called his son Ôan introvertÕ – it was as
if she had called him a criminal, a deviate. An introvert was something most
Americans did not want their children to become, for it suggested unhappiness,
loneliness, psychological deformation – a lack of future success, of
fitting in with the convention of the happy family living in suburbia, pleasing
the neighbors and pleasing all the family members by following all the rules of
life.
ÒExtrovertsÓ, Outside Men, conquered
the world, were fearless, aggressive, got what they wanted, cast light and
warmth on the world – they made more money than introverts, had more (and
prettier) girlfriends that introverts, drove nicer cars than introverts: they
were more successful in managing the material world than were introverts.
But introverts were better at managing
the world of anti-matter than were extroverts – anti-matter being the
inner world of Dark Matter, the Spiritual Kingdom -- a place where most
extroverts would never venture, understanding that were such a transformation
even possible they would probably end up like Actaeon, the Greek extrovert
hunter, who ventured into Love and into DianaÕs (the Moon goddessesÕ) sacred
Nature grove, who retaliated against the strange hunter after he saw her naked
while bathing by turn Actaeon into a stag and turning his own hunting dogs
against him. He was torn to shreds
before the dogs had realized that had murdered their own master.
The spiritual world –
the very essence of life to most of the world – does not exist to science
– science being the pathologically extroverted conditioning of reality by
the Masculine Mind -- for this very reason. The spiritual world directs very little
light onto the surface, directing most of its light into the inner dimensions. This spiritual world is dark matter to scientists,
making those who consider this realm ÔrealÕ seem dense and ethically and
eschatologically blind, living in darkness. But those who live in darkness on the
surface often live in light on the inside, like Mister Inside, for example.
Mister Inside and Mister Outside speak
a different language, see a different world, in fact – the internal world
flips the external world, as the image reflected in a pond is reversed (turned
into a mirror image), so that right on the surface, in the external world, is
left under the water of the spiritual world. Up is down; good is bad; light is
dark. This built-in duality
guarantees conflict in our world, and is the cause of wars, intellectual
disagreements, and structural misunderstandings. Even using the same language, Mister
Outside describes a world that Mister Inside reads in the opposite way intended
by Mister Outside.
I bring this up as a way of
introducing the reader to a vocabulary I am developing (and, because of this
vocabulary, a philosophy) which purports to a structural geometry existing in
Reality which divides historical and personal phenomenon into Day Cycles
(dominated by Men and Male thinking and the Male Body – force –
and, of course, by the Sun) and Night Cycles (dominated, which is an odd world
to use in this discussion, by Women, by Female thinking – metaphor
dominating causality: that is, more accurately rendering a description of
reality at the time), and the Female
Body (which is Water, as the ManÕs Body is made of Fire, from the Sun). Male thinking – science –
says everything is separate, everything is individual, and can be studied and
known by separating it and viewing it in a laboratory setting. Female thinking – mytho-poetry – says everything is connected, because
in the metaphorical mind everything is connected: this is like that, that is like the other thing. And, of course, the Night-Cycle
is dominated by the Moon.
Male thinking says: if I study the
atom, I know the atom, but nothing else.
I become a specialist, a master (with a Ph.D)
in the atom. When I speak about the
atom I am all-knowing. When I speak about other things you can
often disregard what I am saying, because I am not an expert in anything but
the atom. Female thinking says that
if you study the atom deeply you will know not only the atom, but you will know
everything else as well: for the atom is a metaphor for how everything works,
everything created in this universe following a paradigmatic season-based
logic, based on the principles of duality: the cooperative sharing of the
governance of the world, sequentially, by light and then by lightÕs shadow,
darkness.
Each of these periods of governance
– each Day-Cycle and each Night-Cycle – lasts on Earth for 18
years. We have just passed through
a distinguished Day-Cycle, which peaked in 2001, and which is ending in 2010,
as I write this. The current
Night-Cycle will run from 2010 to 2019 (this is the Autumn season, the period
from Dusk to Midnight) and then again from 2019 to 2028 (this being the Winter
season, the period from Might to Dawn).
These ideas of a dualistic
governance of the Earth were the very basis of my Catholic education –
however the appealed only to my emotional nature at the time of my first
education. There was good and evil;
God was good, and the Devil was evil; God was Light, and the Devil was
Darkness. There was Heaven and Hell
– Heaven was peopled by angels, and pure spirits; Hell was the abode of
those with too much taste for Earthly pleasures: sex, money, power, technology
– these were earthly things, and the province of the Devil.
Somehow that message got twisted as
Mister Inside incarnated into Mister Outside and passed the central vortex of
such transmission where the opposites exchange information and become their own
opposites.
GodÕs geometry – or at least the
geometry of the Demiurgos, the Divine Source of
angel/gods, that generated matter and the Laws of Nature – divides the
Heaven from the Earth, separating them by this central vortex, which is a kind
of womb, a kind of door, a secret passage, through which Mister Inside passes
to become Mister Outside and through which Mister Outside passes to become
Mister Inside.
It is ÔbirthÕ when seen traveling from
one direction, and ÔdeathÕ when seen as traveling from the opposite direction. But the two processes are the same in
truth – the fish passes through the keyhole to become the bird –
the bird passes through the keyhole to become the fish (again). Of course the womb is the keyhole, and
the erect-penis is the key, symbolically and literally, as my continuing
analysis will (I hope at least) aptly show.
Of course, when I write about
sexuality, I am writing about the mystical marriage that occurs in true
love. I am not writing about lust
and promiscuousness, which represents a misunderstanding of the force of love
as a transformative experience.
Love is the primary of sex. Love transforms. Sex helps the unfolding to occur. Sex without love is a kind of
masturbation in three-dimensions.
It is love that transforms.
Love can transform without sex; but love is complete with sex, because
love with sex completes the re-creation of the world through the procreation of
children. It is love and mystical
sexuality which opens a door to a different world, which opens the door from
the Female Principle of Water back again into the Male Principle of Fire, back
into a Heavenly stature which is GodÕs covenant with man, the man in Heaven
having dominion over the Earth.
To put it differently, Love and Sex
transform the Inside Man into the Outside Man, who is the carrier of a New Law,
and the driver of the evolution of society through Civilization. The Outside Man delivers the New Law;
the Inside Man creates the New Law, or is given it through the Mother Element,
during the Night-Cycle as the external light vanishes and the internal light
grows stronger and stronger.
This is all thematically connected to
my failed love for Leslie Harmon of course, although it may appear now to be
extraneous and a bombastic introduction to the idea of passion (it is not
extraneous; but I cannot deny a bombastic flush of language sometimes appears
when I grow lyrically over-stimulated).
I have come to view my own
life through the lens of the Day- and Night-Cycles I will be portraying in this
book.
For those not certain about the
18-year cycles, I have come to understand this reality as a reflection of the
circleÕs division in to 180¡ cycles above and 180 cycles below – that is
the construction of the division of Heaven and Earth. The cycle itself is, of course, a
36-year cycle, running from one source to the next source, from one root system
to the next root system, from festival of fruit to the next festival of fruit
(the fruiting of the Tree of Life), the fruiting being represented by the City, by
Civilization, by the build of the City of Light on the Mountain of God, all
based on the 360¡ of the circle in one complete turn.
America has experienced the
regular day/night cycles throughout its history. And my own personal history, as I view
it today, fits nicely in this macrocosmic scale.
Looking at recent American history,
the first Day-Cycle of the Twentieth Century ran from 1911 to 1929. This is not exactly correct – and
I must clarify my terms here more carefully. 1911 to 1929 was a growth cycle, from
root to fruit and seed, the apex of the Civilization Cycle being from 1911 to
1929. The Growth Cycle began in the
bottom of the Time Well, in the bottom of Winter,
1911, and ended in the culmination of light (light is matter, afterall) in 1929.
The apex of the Growth Season is almost always accompanied by a tragic
act of destruction, signaling the destruction of the Tree of Life in the Garden
of Eden. The 1929 Stock Market
Crash was one such event as this.
In 1965, another apocalyptic culmination –
epic/epoch collapse – was typified by what? By the assassination of John F. Kennedy
(which came at the end of 1963, a bit early); or
perhaps it was the Watts Riots. In
every case, at the apex of the growth cycle, an act of violence occurs against
the the Lords of Materialism who dominate the Earth,
against the White Race, an act which heralds the era of a new attempt at
balancing the division (economic, material and cultural) between the High and
Low, between the Heaven and the Earth.
The year 1929 was the beginning of a
new balancing act between the haves and have nots,
between the Whites (the Masters of Time), and the non-Whites, the Lunar Tribes,
the Masters of Space); 1965 was the same, as blacks in America (and American
Indians, and of course women, who are the Dark Race in a more generic sense
– the Dark Races are the Female Mind in fact – oppressed by Time
everywhere) rose up against their White oppressors and slave-masters; in 2001,
the next apex of Western Civilization, the black God, through the force of
Islamic fundamentalism, struck out against the White God, in an act of symbolic
castration, destroying the Twin Towers, damaging the Pentagon, and attempting
to annihilate the White House. Each
of these times was a culmination of the Growing Season in the building of
Western Civilization, a crowning achievement, at which time destruction,
deconstruction, appeared and decay of the dream began to accelerate.
Summer Construction Cycle: 1911-1929,
culminates in the fruiting of the dream;
Winter Deconstruction Cycle:
1929-1947, culminates in the seeding of the next dream;
Summer Construction Cycle: 1947- 1965, culminates in the fruiting of the dream;
Winter Deconstruction Cycle:
1965-1983, culminates in the seeding of the next dream;
Summer Deconstruction Cycle:
1983-2001, culminates in the fruiting of the dream;
Winter Deconstruction Cycle:
2001-2019, culminates in the seeding of the next dream.
Abstraction – what the
mystics call ÔinitiationÕ, a sudden deepening of spiritual understanding, or
God-awareness, as a series of forces or ÔlawsÕ typified by cyclical Nature
– happens during the Night- or Winter-Cycles, when hope is lost, and when
the society, the globe itself, undergoes a dark cycle of economic depression,
social chaos, the breakdown of the social hierarchy, and often war and
genocide.
Winter-Cycle: 1929-1947;
Winter-Cycle: 1965-1983;
Winter-Cycle: 2001-2019.
No one can question the
extent of deconstruction that occurred in the first two Winter-Cycles of the
Twentieth Century, in terms of madness, warfare, economic dislocation, and
genocide: Hitler in the first; American genocide, through high-technology
warfare, in Southeast Asia and Pol Pot in the second.
As I write today, I read about the
massive floods that are hitting many countries, destroying property, killing
citizens, and devastating crops: Pakistan, Australia, Brazil, the Philippines,
Malaysia, Indonesia, Poland, France, South AfricaÉ.
I read also of food riots sweeping the
globe, Algeria, Tunisia, India, China, Bangladesh. Rising prices are everywhere being
fueled by a profligate Western expansion of credit, which created the Economic
Collapse in 2008 (Day Cycles, Growth Cycles, are fueled by cash expansion,
first, debt expansion, second, debt overexpansion third – when asset bubbles
form, the Growth Stage is over, and the panic-filled attempt to continue
creating bubbles, illusions of expansion, are akin to cancerous cells refusing
to stop reproducing, resfusing to obey the Laws of
Nature and rest). Night Cycles are
built in to NatureÕs System in order to provide rest for Nature, to allow
systems to eliminate debt, and prepare systems for the next Growth Cycle. Taking on more debt during the
Night-Cycle is a madness that ignores these stages and laws,
proclaiming that continuous growth is possible.
The Growth Cycle is a kind of Faustian
agreement, a contract with the Devil – we will discuss later what really
is the nature of this Devil. All
debt is Karmic Debt and must be paid off in the ensuring Night-Cycle, the
ensuing period of darkness, contraction, deconstruction,
Chaos. Moon Period. Female Gleaning Time. Call it what you will.
I have written that I have
come to see my own life situated in terms of this larger Macro-Cycle.
I was born on December 17, 1950, at
the end of a Winter-Cycle that ran from 1929-1947. Dawn or Spring
came in 1956. In 1956, I entered
Kindergarten at the Sinclair Grade School.
A year later I met my first love, Miss Petty.
The Spring Season is almost everywhere
considered the Golden Age, or the Garden of Eden. The Spring Season in AmericaÕs cyclical
history this century ran from 1920-1929, curing the first Growth Season (the
Roaring Twenties); 1956-1965, during the second (the 1950Õs being the Patriarchal
Ideal of Order, Progress and Wealth Accumulation of AmericaÕs post-war baby
boomers); and 1992-2001, during the third (being perhaps the most hopeful time
in the history of the Earth, except in places Rwanda, Africa – with
political freedom coming to much of Eastern Europe, affluence coming to much of
the world, globalism, a form of corporate empire rising to power with its
promise of Ôbetter days aheadÕ for all the countries of the world.
But something happened in 2001. Something ended; and something else
began.
The Night-Cycle is about Dark Matter
taking over – and Visible Matter beginning to deconstruct.
Vision comes during the
Night-Cycles (the deconstruction or Winter Cycles); Action comes during the
Day-Cycles (the re-construction or Summer Growth Cycles). These two seasons work together, and
only seem to be adversarial. When
the Force of Light is active in one hemisphere, the force of Rest, of Dreaming,
is active in the opposite hemisphere.
One hemisphere acts out its dream while the opposite hemisphere dreams
out its (next) act.
This chapter is supposed to
be about the power of vision, both the vision produced by the eye-sight in the material world, and also the vision
produced by the mindÕs eye when the physical light is put out; and, indeed, so
it is.
I was born in 1950. I went to school in 1956, Spring of the Time Cycle. In 1965 -- Summer of the Time Cycle --
John Kennedy had already been assassinated, Watts was burning in the Race Riots
of Los Angeles, and the Black Power Movement was born. The White Power movement of Individualism,
Capitalism, and Materialism was going out of power slowly, going in for a rest;
and the Black Power movement of collectivism, Communism, and Anti-Materialism
was beginning to grow.
The Deconstructions clearly were in
power in 1929-1947; again in 1965-1983; and they will again be taking power
2001-2019.
In 1974 -- which is equivalent on the
Time Wheel to 2010, Autumn and Dusk -- I finished
college and began writing my first novel.
In 1976 I met Leslie Harmon and fell madly in love with her. Madness being the key
word here. Madness, and utter joy, surely. And desperation; and
animated bliss. After this,
after my love affair with Leslie Harmon deconstructed in 1977 and 1978, my
world got much darker and more emotionally unhinged, warped by the reality of
my own emotional and philosophical emptiness.
During the Day-Cycle the Soul Ôfills
upÕ with dreams, ambitions, plans; unlimited expansion is the rule. The Future is clear; and the Future is
bright. During the Night-Cycle the
Soul Ôempties outÕ and becomes naked again, without hope, without plans,
without light to see the Future. As
the external light dims, the internal light begins to grow,
the spiritual light begins to re-make the man into the new model he will become
in the next expansion, the next Growth Season. As this happens, as the Future blinks out of view, and hope with it, the mind turns back to
the past. In the past, in ancient
poetry, history, philosophy, myth, religion, are buried the metaphorical and
allegorical truths that light the darkened path that leads Ôaround the hornÕ to
a new existence and a new light, a new Future.
This re-making process
– which is alchemical at its root, transformational, reductive to essence
-- requires that the Old Man, the Ego Bubble which was the Old Man, be ÔkilledÕ, be completely emptied out,
down-sized, reduced to humility and to the original purity of nature, so the
new, recycled pure vision can be planted in a new pure body or environment,
which is the New Man himself, standing in a purified Soul, which is the first
body that manifests.
The corruption, the greed, the
selfishness, the material ambition based in separation and creating alienation
and crime – karmic debt -- has to be given up. The Body, as a principle, has to be
given up. Debt has to be given up
– and with it, the inflated value of assets pumped up by the massive
invocations to the God of Debt, FaustÕs Holocaustic God of Justice. The Lord gives (the Growth Cycle, the
Day-Cycle) and the Lord takes away (the Deconstruction or the
Night-Cycle). If one expands he
will contract. If one takes on Life
he takes on Death. If one chooses
bodily pleasure and power he also chooses spiritual self-judgment and a
terrifying, isolating spiritual dis-empowerment.
Death has to be accepted, a death of
the Old Self. Hopelessness and
poverty of spirit are the nature of this Ôemptying outÕ process.
The first half of the Moon
Cycle, from New to Full Moon, is, likewise, a filling up process. The downward path of the Moon, from Full
Moon to Empty Moon, is the Suffering Season, the Winter Season, the inactive,
infertile season, the time when Mister Inside turns his back on Civilization
(ManÕs Triumph) and embraces instead Nature (GodÕs Triumph) – passing
from the influence of the Father (Time) back to the influence of the
almost-forgotten Mother (Space, Pure Virgin Space if you are to believe the
ancient mythologists who used words in a highly esoteric sense). The Soul must become one with nothingness
again. One with the Void;. One with emptiness.
Only when the Soul is empty is it
ready to be filled again. A vessel
that is full, when filled, overflows, creating a flood of excess capacity
– which is a metaphorical description of what happens in the economic
realm when the Day-Cycle over-expands material capacity and debt, creating a
flood situation, such as we are experiencing today.
Filling-up, as a process, cannot begin
until the vessel is empty.
Our current Night-Cycle will find
Western Civilization empty again in 2019, as the bottom of the wishing well.
As the reader must
understand by now, I am fond of tangents.
I am also fond of metaphors.
I am definitely on the side of my
mother again. Afterall,
it is another Night-Cycle – it is now January 2011. The influence of my mother (and her
insistence of political and social justice and moral integrity) should be growing, if what IÕm writing
is true; and the power of my fatherÕs practical nature, of his willingness to
view life as a series of compromises between compounds of virtue and vice
should be losing much of its authority, defense of tradition, defense of the
status quo. Polarization should be
growing. The Soul should be
beginning to align itself with the powerless in society, against the powerful,
with the poor and against the rich, with the underprivileged classes with
darker skin tones and against the over-privileged classes with lighter and
lighter skin tones and heavier and heavier bank accounts.
This does seem to be happening also.
As I was writing earlier, I
have never had good eye-sight. My eyes were always my weakest
feature. Even when technology
corrected this problem, I was still reliant on the technology more than the
eyes. I was a natural Mister Inside
because of this flaw in my physical make-up, and because of my placement of
birth in my own family hierarchy.
The baby of the family is scheduled to become Mister Inside.
The eyes are the main instrument of Mister Outside. He sees and he mesmerizes through the
power of the eyes. He shines light
through his eyes. He controls women
through the power of his eyes. At
least, he engages women with the power in his eyes. He sees what he desires; and he sees
what he has to do to possess what he desires, to fulfill his dreams, and to
fulfill the heroic role that he has embraced.
Women also depend upon the eyes of
men, for it is through the eyes (mainly) that women capture the hearts of men
who generate the Growing Season dating game (men hooked through the eyes by
women, driven by desire to possess beauty, promised pleasure and promised a
destiny of heroism), which drives civilization into greater and greater forms
of organization.
The Day belongs to the ÔnormalÕ man
and the ÔnormalÕ woman, those wishing to fulfill material dreams of comfort,
pleasure, acquisition and power in the world, which all helps to guarantee
their survival. It is all a story
of survival after all. The desire
for survival (the fear of death) drives expansion into the physical world,
drives up towers of civilization – a phallic reconstruction of the
initial act of generation, fueled and pampered and rewarded by the eyes of
course – creates empires, crimes of hubris, crimes of genocide, and
crimes of racial brutality.
When the eyes go, and the ears take
over, all orthodox forms of judgment about lifeÕs normal path begin to break
down. The constructionists lose
their power to control Nature.
Dreams begin to invade ÔrealityÕ.
Traditions break down.
Personal will begins to empty out, and become receptive to the Female
values of love and real desire and subject, quite suddenly, to the power of the
Moon, the power of water. Goal
orientation breaks down; and Ôstream of consciousnessÕ in alliance with the
Unconscious comes back in to view, comes back in to the SoulÕs picture of
Reality.
Real Religious Nature
requires Night-Cycles. Day-Cycles
reduce religion to a moral code and a hierarchy (God-sanctioned, of course) of power-structures, putting the rich on top (mostly white) and
the poor on the bottom (mostly black).
This is religion when it becomes rigid with death, rigid with formality.
The Religious Mind is metaphorical by
nature. Religion is poetry. Religion is the poetic movements of
Nature, waves of wind playing on waves of water, wound together into a logic
that connects cycles of time with reflect rituals of human custom.
Mysticism is the Soul of
Religion. Orthodox, organized
religion is the Body of Religion, the corrupt shell on the inner truth. Orthodox religion is a business organization
– a kind of chamber of commerce for the soul -- designed to keep the
white on top, the black on the bottom; and keeping the
women always subject to the law and order of the men.
Man needs Night-Cycles in order to
find his true self (this is an
alchemical process, as I have suggested, of using the internal heat of atomic
radiation caused by stress and despair to burn away the corrupt parts of the
Soul in the emptying out process described above). In finding his naked self, man finds his
God again.
In the Day-Cycle, Man becomes the God
and serves himself as a God would serve himself. In the Night-Cycle, Man falls from
power, falls in shame, travels through all the lower realms of Nature, on his
knees, finding modesty, disabused of the idea of his own greatness and
grandeur, and becomes empty, like a stone.
This is both the ending point of his decline, and the starting point of
his re-ascension into heaven.
The Greeks considered hubris the greatest of sins, because it
reflected a loss of balance, a loss of perspective, an unsustainable illusion
that one was, himself, a god, and could and should act as a god, making
cruelty, violence and shameful greeds and lusts and
abuses of other humans and animals normal behavior (think of the late Roman
emperors in this context), justified by oneÕs self-conceived state of
divinity. Hubris was punished, in
Greek mythology, through a ravaging of the guilty party by Hecate –
interestingly, Hecate is a protector of entrances, gates, doors, keyholes
– in Greek, Hecate meaning Ôshe who removesÕ – as in Ôempties outÕ –
or overthrows, and she who Ôoperates from a great distanceÕ – the
internal Ôlaws of NatureÕ obviously operate from a great distance. Hecate was a sorcerer, a witch, and was
called by Ptolomaic Egyptian scholars Ôthe she-dogÕ
and Ôthe bitchÕ – her approach was signaled by the barking of dogs in the
night – and whom I would argue is the Greek personification of a
Night-Cycle.
Hindus described the ÔMindÕs
EyeÕ – the ÔEye in the ForeheadÕ, the Ajna
Center – as the ÔEye of ShivaÕ or the ÔEye of DangmaÕ:
the Third Eye. Dangma
and/or Shiva were the ancient Hindu gods of Destruction – of
Deconstruction of attachment to the Material World. When the two physical eyes of the
Day-Cycle are active, the Third Eye is inactive. When the two physical eyes shut down, as
the Day-Cycle is transformed into the Night-Cycle, the Third Eye, which
destroys all attachments to and illusions through the material world, opens up
and gives the Soul of picture of the worldÕs mechanisms from an abstract height
– that is, Ôout of timeÕ. The
Third Eye assists the Ôemptying outÕ process, by providing a logic for it, a
circular image or mandala that ÔexplainsÕ why the world (personal and larger
objective world) is shrinking, down-sizing.
The Third Eye helps to release the
Soul from the pain of death – make no mistake, Night-Cycles are death experiences -- from the fear
and the terror that are often associated with the Night-Cycle deconstruction
phase. Identities are deconstructed
too, which can be traumatic if one believes these ÔmortalÕ identities are
really oneÕs essence, really at the root of oneÕs nature. But if oneÕs identities are merely
clothing one wears while performing in the endless play of the Day-Cycle, then
stripping oneself of such colorful baggage is rendered more harmless by the
greater understanding of the process being undertaken by nature, and this mutes
the sting of death, and the fear of permanent dissolution.
The two eyes (the physical eyes) link
man inevitably to the duality of the material world during Day-Cycles. The Third Eye synthesizes this duality
into a image of wholeness that mystically marries the
two forces of that duality into a functioning unit, out of time. The two forces of Darkness and Light, of Night and Day, of Woman and Man, only seem to be
adversarial. In fact, these two
forces are working together in the double evolution of humanity as a political-material
being and also as a psychological-spiritual being.
VIII. LOVE, FIRST –
PHILOSOPHY (AND RELIGON) AFTER
A note of explanation is
probably required here. This is a
love story. My roundabout attempts
to paint a picture of my childhood years, to set a context for the love story,
have now been punctuated by what many readers might find difficult or
unnecessary digressions or diversions.
I apologize for the sudden permutation
(emphasis on the word ÔsuddenÕ).
When I first met Leslie
Harmon I had already begun what would become a lifetime romance with philosophy
– literature is merely philosophy dressed in interesting stories and
fashionable clothes. My first
philosophy class at the University of Wyoming in the Spring
of 1974, my final semester in school – ÒIntroduction to PhilosophyÓ
– triggered in me a life-long passion for ideas – the very essence
of literature. Bertrand Russell
asked me questions about determinism in that first meeting, questions which
began in me a boiling condition of enthusiastic curiosity. Were we really free to choose any path in life – were we really
able to choose to do what we could not
choose or do?
I was the athanor
– my soul was the athanor – and ideas
were the fuel that lit the fire and fired the coal that created light, burning
slowly, burning for a lifetime, burning bright.
My first novel was embedded
with the issues that were raised in that class. I think I was the only student in the
class who could not wait
to arrive and begin discussing the abstract questions of
philosophical inquiry -- Professor Crocker was my instructor: I believe that
was his name . Or perhaps it was
Crockett.
` I completed writing my first novel, A Silent Dell, in the Autumn
of 1975. In the Summer
of 1976, I met Leslie Harmon.
In the Summer
of 1977, I lost Leslie Harmon, and re-began my love-affair with philosophy.
In the late-Summer
of 1977, I began my second novel, Conversations
On a Dying Age.
Being a poetic type, I was
always more drawn to the philosophy embedded in literature, especially in
poetry – Dante, Rilke, Goethe, Shakespeare, and then, tragically perhaps,
James Joyce – and in ÔnatureÕ philosophers, such as Vico,
Ficino and Oswald Spengler – than in the dry, arid, ÔmasculineÕ
philosophy of traditional Western intellectual giants of philosophy –
Aristotle, Hegel, Sartre, Descartes -- expounders of what I call the
Ôphilosophies of reasonÕ, whom I would call the Day-Cycle philosophers. Reason is overvalued by many unless they
also value unreason, poetic wisdom, giving this shadow voice equal time in their
world-view. This is my
premise. The philosophy of un-reason
attracted me more, I must admit, the philosophy embedded in mythology, in
poetry, and in scriptural writing.
Some writers tell stories
through visual descriptions of the world: they tell you what they are
seeing. I have admitted to my
readers that I am essentially blind, and have been so almost since birth. This is a warning, also, in terms of the
manner in which I tell stories. I
do not see physical reality so well, visual phenomenon – so I have lost
interest somewhat in visual phenomena.
I tell my stories through the medium of ideas. Ideas are living things to me,
entities. Ideas, as I see it, are
closer to the essence of reality that is visual imagery. To comprehend and appreciate my writing,
one must see the story I am telling as a progression of ideas, or themes,
surface themes rather than buried or hidden themes. I am aware of most of these themes, and
I try to make the reader aware of them also.
What many writers describe in detail
visually, I tend to describe in detail psychologically.
I did not really begin to
fully realize my ideas on the Day-Cycle/Night-Cycle processes of Time –
with diagrams and graphic details -- until 2010, when my wife and I were living
in Hanoi, Vietnam, some thirty-three years after my love for Leslie Harmon ÔexpiredÕ. I will define what Ôfully realizeÕ means
later. I was introduced to these
ideas, in a very deep way, in my descent into the Night-Cycle that Leslie
Harmon represented. Remember, the
first Night-Cycle of my current existence began in 1965 and ran (from Noon to
Midnight) to 1983. In the center of
that Night-Cycle appeared Leslie Harmon, who was very much my Venus acting as
the Evening Star.
I will say again that ÔNight CycleÕ is
a misleading terminology. The
Night-Cycle runs from Dusk to Dawn; the Day-Cycle runs from Dawn to Dusk. In this sense, the Leslie Harmon
Night-Cycle began in 1974 and ended in 1992.
I will note, at this point, and
illustrate this point with another diagram, that every true Dusk-to-Dawn
Night-Cycle begins and ends with the appearance of a very significant
woman. The Dusk-to-Dawn Night-Cycle
in 1974 began with the appearance of Leslie Harmon and ended with the
appearance of my wife, Hoa-Lan Tran, whom I met in 1989, and with whom I began
living in 1992. 1992 is the Dawn of
the 1992-2010 Day-Cycle.
Leslie Harmon was to me my Venus, my
Evening Star; and Hoa-Lan Tran was to me my other Venus, my Morning Star.
Leslie Harmon led me in to death, into
despair, into emptiness, futility, emaciation, hopelessness, absolute solitude
– these being the ultimate Night-Cycle conditions – which is a
stage in alchemical process of emptying of the soul into nothingness, from
which condition I could them be reborn and begin again the Day-Cycle process of
filling up.
Leslie Harmon was my Beatrice, my Moon
Goddess, my virginal evening light, who lit my way into the mythical
Underworld, lighting the path I followed, where I found God again, hope again,
renewal, spiritual power, and the elements of resurrection.
Hoa-Lan Tran was Venus waiting for me
to turn the full round and prepare again a life on Earth. Two women: one stationed at the gates of
Hell (Death in Autumn), the other stationed at the gates of Heaven (Life in
Spring).
I loved and lost Leslie Harmon in
1977. I loved and married Hoa-Lan
Tran in 1995. Eighteen years
apart. As I have probably
mentioned, Day-Cycles last 18 years; Night-Cycles last 18 years.